open source audio identification
MusicBrainz recording
Favourite Shirts (Boy Meets Girl)
Haircut One Hundred
3:05
c6c21756-7a7b-41d0-9dc6-283de241409b
View on MusicBrainz →
AcoustIDs
12
linked to this recording
Submissions
777
linking them to it
Fingerprints
57
distinct audio files
Duration
2:59–3:47
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
1bfe807d-b047-49f9-a234-62aacd00d83f
Also linked to
Boy Meets Girl by Haircut One Hundred, Favourite Shirts (Boy Meets Girl) by Haircut One Hundred and
|
22 | 3:01–3:06 | |||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
e1876f6c-b1de-4cbf-8960-db1a0b0cd76b
Also linked to
Boy Meets Girl by Haircut One Hundred, 19 by Paul Hardcastle
|
15 | 3:01–3:08 | |||||||||||||||||||||||
|
Recordings linked to B
|
||||||||||||||||||||||||||
| C | f48fb75f-6021-4ca5-a283-1fa3ca7e7597 | 5 | 3:05–3:10 | |||||||||||||||||||||||
| D | b7f6f0b0-91ac-4943-8652-e7ac0f7ef97e | 7 | 3:06–3:10 | |||||||||||||||||||||||
| E |
b67fb965-89ab-4045-83b7-b587a8957769
Also linked to
Favourite Shirts (Boy Meets Girl) by Haircut One Hundred
|
1 | 3:14 | |||||||||||||||||||||||
|
Recordings linked to E
|
||||||||||||||||||||||||||
| F | fdd71832-16e7-41a3-8197-3280a733072c | 1 | 2:59 | |||||||||||||||||||||||
| G | 5169328a-154c-430b-9db3-5bd7b8569fcb | 1 | 3:06 | |||||||||||||||||||||||
| H | f019f8bf-6513-411d-9bbc-78519f55a4c5 | 1 | 3:05 | |||||||||||||||||||||||
| I | f05dfce1-81be-415d-99ba-dda2c4664f47 | 1 | 3:22 | |||||||||||||||||||||||
| J | 274f5083-7687-4b30-bea5-9f916726c206 | 1 | 3:47 | |||||||||||||||||||||||
| K | 73849ed4-945b-4fc6-b49c-78f7f6bbb1fd | 1 | 3:11 | |||||||||||||||||||||||
| L | 602a1867-e443-454f-a3b3-9785fb27d605 | 1 | 3:06 | |||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | L | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.92 | 0.57 | 0.87 | 0.00 | 0.00 | 0.00 | 0.72 | 0.93 | 0.00 | 0.00 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.46 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.92 | 0.00 | — | 0.56 | 0.81 | 0.00 | 0.00 | 0.00 | 0.72 | 0.98 | 0.00 | 0.00 |
| D | 0.57 | 0.00 | 0.56 | — | 0.53 | 0.00 | 0.00 | 0.00 | 0.59 | 0.56 | 0.00 | 0.00 |
| E | 0.87 | 0.00 | 0.81 | 0.53 | — | 0.00 | 0.62 | 0.00 | 0.69 | 0.82 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.93 | 0.00 |
| G | 0.00 | 0.46 | 0.00 | 0.00 | 0.62 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| I | 0.72 | 0.00 | 0.72 | 0.59 | 0.69 | 0.00 | 0.00 | 0.00 | — | 0.71 | 0.00 | 0.00 |
| J | 0.93 | 0.00 | 0.98 | 0.56 | 0.82 | 0.00 | 0.00 | 0.00 | 0.71 | — | 0.00 | 0.00 |
| K | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.93 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| L | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |