open source audio identification
MusicBrainz recording
In the Middle of Nowhere
Dusty Springfield
2:48
stereo mix
c6653a1d-3782-4e2e-86c5-68a46983d04c
View on MusicBrainz →
AcoustIDs
10
linked to this recording
Submissions
656
linking them to it
Fingerprints
34
distinct audio files
Duration
2:30–14:04
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
089ecd13-b185-4212-8d58-0f1366bf97cc
Also linked to
In the Middle of Nowhere by Dusty Springfield, In the Middle of Nowhere by Dusty Springfield and
|
15 | 2:46–2:52 | |||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
0c08378d-3826-4bc6-86aa-19b8abe48a35
Also linked to
In the Middle of Nowhere by Dusty Springfield, In the Middle of Nowhere by Dusty Springfield
|
5 | 2:45–2:48 | |||||||||||||||||||||||
|
Recordings linked to B
|
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| C | b4a44f82-b09e-4ca6-986f-c6be1733d1e2 | 1 | 14:04 | |||||||||||||||||||||||
| D | aad1b62d-5fd9-46ee-a301-759b104644a0 | 1 | 4:01 | |||||||||||||||||||||||
| E | 05323930-40a4-41fa-ad32-af80b22369cb | 1 | 2:30 | |||||||||||||||||||||||
| F |
7cfb59bd-6efe-4bb8-838c-d1376820d623
Also linked to
Don’t Sleep in the Subway by Petula Clark, Stop! In the Name of Love by Diana Ross & The Supremes and
|
3 | 2:49–2:56 | |||||||||||||||||||||||
|
Recordings linked to F
|
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| G | 00251b37-f785-447a-a531-95ad27a1ba5b | 3 | 2:48 | |||||||||||||||||||||||
| H | a0bec861-d9cf-40e8-9c77-edb22685229d | 1 | 2:49 | |||||||||||||||||||||||
| I | eab5af80-9bad-4ee2-a8d3-e2700f8f57bc | 1 | 2:48 | |||||||||||||||||||||||
| J |
b0f64593-e47f-4ddd-aab6-7ec3a883d972
Also linked to
I Will Wait For You by Liza Minnelli, I Will Wait for You by Liza Minnelli
|
3 | 3:40 | |||||||||||||||||||||||
|
Recordings linked to J
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | |
|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.59 | 0.68 | 0.00 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| H | 0.59 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.61 | 0.00 |
| I | 0.68 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.61 | — | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |