MusicBrainz recording
Riffin’ the Scotch
Billie Holiday with Benny Goodman & His Orchestra
2:34
c66168cf-fa66-4f04-aaf8-ff3efc649958
View on MusicBrainz →
AcoustIDs
6
linked to this recording
Submissions
411
linking them to it
Fingerprints
36
distinct audio files
Duration
2:28–2:37
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
19a6480c-fb45-4913-b7e6-75aefa4bbdbd
Also linked to
Riffin’ the Scotch by Billie Holiday, Riffin’ the Scotch by Billie Holiday and
|
15 | 2:31–2:35 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to A
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| B |
c7880c0d-4bca-41c5-bc64-f0753daac639
Also linked to
Riffin' The Scotch by Benny Goodman and His Orchestra, Riffin' the Scotch by Benny Goodman and His Orchestra and
|
3 | 2:35–2:37 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to B
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| C |
17fd56fa-6ba1-465f-9272-07f03d5dac88
Also linked to
Blues (Big City Blues) by Billie Holiday with Duke Ellington & His Orchestra, Blues (Big City Blues) (Saddest Tale) by Billie Holiday feat. Duke Ellington and
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9 | 2:28–2:30 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
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| D | ba2cbb60-5fa8-45f4-8601-4d125b9e2113 | 1 | 2:33 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| E | 7982e315-62e5-4e1b-864c-ce53af51e54d | 4 | 2:32–2:36 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| F |
437a3ac4-4955-43bb-a3ca-2666f90bf912
Also linked to
Me, Myself and I by Billie Holiday, Me, Myself and I (prise master) by Teddy Wilson and His Orchestra and
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4 | 2:32–2:34 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to F
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.