open source audio identification
MusicBrainz recording
(I Love You) For Sentimental Reasons
Ella Fitzgerald and The Delta Rhythm Boys
3:11
1946-08-29, mx. 73669-A
c572f88b-85cf-4806-988c-713fecd2a50e
View on MusicBrainz →
AcoustIDs
7
linked to this recording
Submissions
213
linking them to it
Fingerprints
83
distinct audio files
Duration
3:02–3:16
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
506a9485-4da4-4094-89c4-ffbefef8360e
Also linked to
For Sentimental Reasons by Ella Fitzgerald & The Delta Rhythm Boys, I Love You (For Sentimental Reasons) by Ella Fitzgerald and
|
66 | 3:07–3:16 | |||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B | 602f22a5-6e2d-4126-bdd3-d913b94b0d07 | 7 | 3:07–3:11 | |||||||||||||||||||||||||||||||||
| C |
a82554ff-0e1a-4e74-979d-b513143f394b
Also linked to
For Sentimental Reasons by Ella Fitzgerald
|
5 | 3:08–3:15 | |||||||||||||||||||||||||||||||||
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Recordings linked to C
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| D | 3751b129-f2b6-48ff-b978-42cf1ea7131e | 1 | 3:02 | |||||||||||||||||||||||||||||||||
| E |
6fa6d4ce-eb6e-45f5-87c1-b38c144e1d7e
Also linked to
(I Love You) for Sentimental Reasons by Ella Fitzgerald
|
1 | 3:13 | |||||||||||||||||||||||||||||||||
|
Recordings linked to E
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| F |
6799effd-1474-4f8f-aeb6-550d330114f0
Also linked to
I Love You (for Sentimental Reasons) by Ella Fitzgerald, I Cried for You (Now It’s Your Turn to Cry Over Me) by Teddy Wilson and His Orchestra
|
2 | 3:10–3:14 | |||||||||||||||||||||||||||||||||
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Recordings linked to F
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| G |
6873817e-cb5a-42a4-b164-53a4b1e2cc48
Also linked to
I Love You for Sentimental Reasons by Ella Fitzgerald & The Delta Rhythm Boys
|
1 | 3:11 | |||||||||||||||||||||||||||||||||
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Recordings linked to G
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.