open source audio identification
MusicBrainz recording
Chain of Fools
Aretha Franklin
2:47
mono
c4f0af82-9b8e-47a8-ad7a-c4daa87fd19e
View on MusicBrainz →
AcoustIDs
5
linked to this recording
Submissions
150
linking them to it
Fingerprints
93
distinct audio files
Duration
2:41–2:50
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
47a8b2c8-0f7a-44f6-a41d-32d42b79e56c
Also linked to
Chain of Fools by Aretha Franklin, Chain of Fools by Aretha Franklin and
|
30 | 2:43–2:50 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to A
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| B |
eb9a9cd6-cb45-4357-a39e-9697c8e33384
Also linked to
Chain of Fools by Aretha Franklin, Chain of Fools by Aretha Franklin and
|
47 | 2:43–2:50 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to B
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| C |
78641d68-4237-499a-97fd-bb7cd50a59f2
Also linked to
Chain of Fools by Aretha Franklin, Chain of Fools by Aretha Franklin and
|
7 | 2:42–2:47 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
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| D |
82458d11-95c3-4bc1-904b-3fb30c54e611
Also linked to
Chain of Fools by Aretha Franklin
|
3 | 2:41–2:46 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
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| E |
fc79129e-c16d-4245-9b91-850c78ba7d4b
Also linked to
Chain of Fools by Aretha Franklin, Chain of Fools by Aretha Franklin and
|
6 | 2:43–2:50 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.