open source audio identification
MusicBrainz recording
The Boy Is Mine (club version)
Brandy & Monica
7:40
c3a660af-4fbe-45fc-9da0-00976c033783
View on MusicBrainz →
AcoustIDs
7
linked to this recording
Submissions
110
linking them to it
Fingerprints
39
distinct audio files
Duration
3:55–7:46
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
7edf76a3-a21b-4629-8a55-e36a6260010d
Also linked to
The Boy Is Mine (club mix) by Brandy & Monica, The Boy Is Mine (Architechs remix 1) by Brandy & Monica
|
16 | 7:39–7:46 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B | 4cc78072-389b-4d74-965a-9f2978baa53c | 1 | 7:35 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
| C | e0c88768-6524-4587-8c39-3209d2b9f171 | 1 | 7:40 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
| D | bc82498a-e34a-4bd4-8860-2effd7e8b5e7 | 1 | 7:14 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
| E |
c9d2e218-1ff1-42bc-9f54-a7b0fb4eb969
Also linked to
The Boy Is Mine by Brandy & Monica, The Boy Is Mine (radio edit with intro) by Brandy & Monica and
|
15 | 4:49–4:56 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
|
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| F | 30f3300e-b4b0-416f-9b15-a8fdcfa3023c | 1 | 7:39 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
| G |
ebcc2db8-7f57-482e-90d2-170a4e255c72
Also linked to
The Boy Is Mine by Brandy & Monica, The Boy Is Mine (radio edit) by Brandy & Monica and
|
4 | 3:55–4:00 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to G
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.