open source audio identification
MusicBrainz recording
Don’t Dream It’s Over
Paul Young
4:22
c363ba9a-23d8-48d1-ad22-30291104bc83
View on MusicBrainz →
AcoustIDs
10
linked to this recording
Submissions
705
linking them to it
Fingerprints
31
distinct audio files
Duration
3:55–4:25
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
8028987a-e358-4e37-a433-694fa052712d
Also linked to
Don’t Dream It’s Over by Paul Young
|
6 | 4:20–4:25 | ||||||||||||||||||
|
Recordings linked to A
|
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| B |
33d02b8b-b756-4659-bc3a-cd58b5278b81
Also linked to
Don’t Dream It’s Over by Paul Carrack & Paul Young, I Don’t Wanna Lose You by Tina Turner
|
13 | 4:16–4:22 | ||||||||||||||||||
|
Recordings linked to B
|
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| C |
74e6f97f-e449-488c-9fd7-6409d20f8edc
Also linked to
I Don’t Love You by My Chemical Romance
|
2 | 4:24 | ||||||||||||||||||
|
Recordings linked to C
|
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| D |
07ab92cd-3335-4ee1-b533-3ab886fd79cd
Also linked to
Don't Dream It's Over by Paul Young
|
2 | 4:09–4:11 | ||||||||||||||||||
|
Recordings linked to D
|
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| E |
1a096828-21a7-42dc-bf26-8508bb468ae6
Also linked to
Don’t Dream It’s Over by Paul Young
|
3 | 4:14–4:19 | ||||||||||||||||||
|
Recordings linked to E
|
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| F | 96f88f75-5484-4a2b-855b-45f88eec216b | 1 | 4:22 | ||||||||||||||||||
| G |
e004a57e-3ea0-48be-bda0-ff3c0f258f9a
Also linked to
Don’t Stop Believin’ by Journey
|
1 | 4:24 | ||||||||||||||||||
|
Recordings linked to G
|
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| H |
b127a417-3b05-4b40-aa8a-1f45f0df6e5c
Also linked to
Don’t Dream Its Over by Paul Young
|
1 | 3:55 | ||||||||||||||||||
|
Recordings linked to H
|
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| I | 2d758b68-88e5-4c19-9438-9834da87222e | 1 | 4:21 | ||||||||||||||||||
| J | ee28a261-8d8b-4acc-8816-24ee6ba9f5d9 | 1 | 4:22 | ||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | |
|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.95 | 0.72 | 0.90 | 0.00 | 0.20 | 0.00 | 0.75 | 0.00 | 0.00 |
| B | 0.95 | — | 0.72 | 0.93 | 0.00 | 0.20 | 0.00 | 0.77 | 0.00 | 0.00 |
| C | 0.72 | 0.72 | — | 0.70 | 0.00 | 0.00 | 0.00 | 0.73 | 0.00 | 0.00 |
| D | 0.90 | 0.93 | 0.70 | — | 0.00 | 0.00 | 0.00 | 0.78 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.20 | 0.20 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| H | 0.75 | 0.77 | 0.73 | 0.78 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |