open source audio identification
MusicBrainz recording
Mack the Knife
Frank Sinatra
4:52
1986 original studio master
c1b4b821-347c-41c2-9c5a-cebe037b130b
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
1,529
linking them to it
Fingerprints
29
distinct audio files
Duration
3:23–5:09
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
7b62a504-d26c-4da5-924c-e5f9bd159256
Also linked to
Mack the Knife by Frank Sinatra, Mack The Knife by Frank Sinatra and
|
5 | 4:51–4:53 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
5a1f8649-ee92-4588-a682-3a5d17555e18
Also linked to
Mack the Knife by Frank Sinatra
|
2 | 4:52–4:53 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
1a35e78c-631a-44bd-b0ee-0104a69866d7
Also linked to
Mack the Knife by Frank Sinatra
|
1 | 5:01 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
5eb55dad-e735-400c-9446-955e45e78ca1
Also linked to
Mack the Knife by Frank Sinatra duet with Jimmy Buffett, Mack the Knife by Frank Sinatra and
|
6 | 4:24–4:29 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E | 7efaa7fd-6608-4fb9-ae27-ed6ba3a21a4b | 1 | 5:09 | ||||||||||||||||||||||||||||||||||||||
| F | 82c43976-9c19-4177-bd7d-0ae6c3bc7139 | 1 | 4:54 | ||||||||||||||||||||||||||||||||||||||
| G | f0b5adca-4bae-4774-bf75-59ea7650e2db | 1 | 4:50 | ||||||||||||||||||||||||||||||||||||||
| H |
debcdc67-775a-4799-8cc5-c84a6df24366
Also linked to
Love’s Been Good to Me by Frank Sinatra, Oh! Look at Me Now by Frank Sinatra with Connie Haines, The Pied Pipers & Tommy Dorsey and His Orchestra and
|
11 | 3:23–3:26 | ||||||||||||||||||||||||||||||||||||||
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Recordings linked to H
|
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| I | 2b327454-5caa-4d97-8715-1711c05b35b6 | 1 | 4:51 | ||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.98 | 0.00 | 0.85 | 0.00 | 0.50 | 0.00 | 0.00 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.98 | 0.00 | — | 0.00 | 0.85 | 0.00 | 0.49 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.85 | 0.00 | 0.85 | 0.00 | — | 0.00 | 0.53 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| G | 0.50 | 0.00 | 0.49 | 0.00 | 0.53 | 0.00 | — | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |