MusicBrainz recording
What’s Another Year
Johnny Logan
3:02
original 1980 version
bffe967e-16a3-4a05-9177-8a9482cc8607
View on MusicBrainz →
AcoustIDs
7
linked to this recording
Submissions
80
linking them to it
Fingerprints
102
distinct audio files
Duration
2:53–5:06
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
6d547848-9ffd-435e-a9bd-9d0d4727e04c
Also linked to
What's Another Year by Johnny Logan, What's Another Year by Johnny Logan
|
33 | 2:57–3:04 | |||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
81606a1e-e73b-47e9-9b81-932e5ef08604
Also linked to
What's Another Year by Johnny Logan
|
7 | 3:01–3:06 | |||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
f538a634-64a7-4cea-8660-7f62bbbf0d03
Also linked to
What’s Another Year by Johnny Logan, What’s Another Year by Johnny Logan
|
6 | 3:11–3:16 | |||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
3b529795-f81e-4d59-abc2-b55a6620163a
Also linked to
What’s Another Year by Johnny Logan
|
4 | 3:04–3:07 | |||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E |
1b23dff0-5a8f-42b2-a8fb-fd1097d16cab
Also linked to
What’s Another Year by Johnny Logan, What's Another Year by Johnny Logan
|
19 | 2:53–3:00 | |||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F |
e1ab7a0f-7acd-414c-9366-dedd2f8b4745
Also linked to
What’s Another Year by Johnny Logan
|
8 | 3:03–3:10 | |||||||||||||||||||||||||||||||||
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Recordings linked to F
|
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| G |
5a75dca2-05f7-40ee-886b-8328e962df56
Also linked to
What It’s Like by Everlast, What It’s Like by Everlast and
|
25 | 5:00–5:06 | |||||||||||||||||||||||||||||||||
|
Recordings linked to G
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.