open source audio identification
MusicBrainz recording
Whole Lotta Rosie
AC/DC
5:58
live, 2009-12-04: River Plate Stadium, Buenos Aires, Argentina
bdf44b91-fa7c-4e5f-b147-8a0759cab831
View on MusicBrainz →
AcoustIDs
12
linked to this recording
Submissions
435
linking them to it
Fingerprints
16
distinct audio files
Duration
5:40–7:12
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
78abfd9d-eeb3-47c6-9858-83d5812f6ec1
Also linked to
Whole Lotta Rosie by AC/DC, Whole Lotta Rosie by AC/DC
|
4 | 5:51–5:57 | ||||||||||||||||||
|
Recordings linked to A
|
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| B | fd3baf2b-5458-4491-94e3-240b3d5d9068 | 1 | 5:59 | ||||||||||||||||||
| C |
ac48d523-4063-40eb-92a4-981918ae686f
Also linked to
Whole Lotta Rosie by AC/DC
|
1 | 5:54 | ||||||||||||||||||
|
Recordings linked to C
|
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| D |
20880d3b-2e2b-42a4-baca-6232313b49aa
Also linked to
Whole Lotta Rosie by AC/DC
|
1 | 5:52 | ||||||||||||||||||
|
Recordings linked to D
|
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| E |
893ffec4-13eb-4e1c-b20b-b1535a4588f7
Also linked to
Whole Lotta Rosie by AC/DC, Whole Lotta Rosie by AC/DC
|
1 | 5:56 | ||||||||||||||||||
|
Recordings linked to E
|
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| F |
61203a91-7be4-4b63-8afb-bcdc3ece6354
Also linked to
Whole Lotta Rosie by AC/DC
|
1 | 5:46 | ||||||||||||||||||
|
Recordings linked to F
|
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| G | 4c749a48-14a9-429a-b140-754b25149fb3 | 1 | 5:58 | ||||||||||||||||||
| H | 086c6492-b61d-4ffa-bc67-a5a473bd37ea | 1 | 5:57 | ||||||||||||||||||
| I | 38809617-d9c3-4318-85af-c97cb89a7180 | 1 | 5:46 | ||||||||||||||||||
| J |
9ad0887d-b580-477b-ab63-199526521a9d
Also linked to
Whole Lotta Rosie by AC/DC, Whole Lotta Rosie by AC/DC
|
2 | 5:40 | ||||||||||||||||||
|
Recordings linked to J
|
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| K |
834cef34-6d3e-4255-9f85-06b47a03d211
Also linked to
Whole Lotta Rosie by AC/DC, Whole Lotta Rosie by AC/DC
|
1 | 6:10 | ||||||||||||||||||
|
Recordings linked to K
|
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| L | 681a8de9-a9d7-496e-97d4-3f202ac78ed3 | 1 | 7:12 | ||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | L | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.68 | 0.00 | 0.00 | 0.00 | 0.52 | 0.68 | 0.00 | 0.00 | 0.64 | 0.00 | 0.94 |
| B | 0.68 | — | 0.00 | 0.00 | 0.00 | 0.44 | 0.46 | 0.00 | 0.00 | 0.50 | 0.00 | 0.58 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.52 | 0.44 | 0.00 | 0.00 | 0.00 | — | 0.54 | 0.00 | 0.00 | 0.64 | 0.00 | 0.51 |
| G | 0.68 | 0.46 | 0.00 | 0.00 | 0.00 | 0.54 | — | 0.00 | 0.00 | 0.47 | 0.00 | 0.67 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| J | 0.64 | 0.50 | 0.00 | 0.00 | 0.00 | 0.64 | 0.47 | 0.00 | 0.00 | — | 0.00 | 0.65 |
| K | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| L | 0.94 | 0.58 | 0.00 | 0.00 | 0.00 | 0.51 | 0.67 | 0.00 | 0.00 | 0.65 | 0.00 | — |