open source audio identification
MusicBrainz recording
As Time Goes By
Dooley Wilson
3:01
bd9878a2-7dac-4d1f-a6c1-456db21642e7
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
186
linking them to it
Fingerprints
66
distinct audio files
Duration
2:43–3:14
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
54db3c35-314a-43f1-b5a3-a9cb10624e31
Also linked to
As Time Goes By by Dooley Wilson, As Time Goes By by Dooley Wilson and
|
17 | 2:57–3:04 | ||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
7fc220f2-438e-467f-bc0a-6f967b183a94
Also linked to
As Time Goes By by Dooley Wilson, As Times Goes By by Dooley Wilson
|
5 | 3:01–3:06 | ||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
7ea9d52c-bca7-4aff-b1df-09ce5196cbb0
Also linked to
As Time Goes By by Dooley Wilson
|
11 | 3:00–3:04 | ||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D | 69eee114-9b42-4762-9c5d-0404e6031637 | 2 | 3:01–3:03 | ||||||||||||||||||||||||||||
| E |
108fcfeb-2d57-44e7-90cc-f3b1240470b4
Also linked to
Half as Lovely, Twice as True by Frank Sinatra, As Time Goes By by Frank Sinatra and
|
1 | 3:06 | ||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F |
af96f279-396b-47b8-a912-52efa83d0c92
Also linked to
As Time Goes By by Dooley Wilson, As Time Goes By (Complete vocal) by Dooley Wilson and
|
26 | 2:43–2:48 | ||||||||||||||||||||||||||||
|
Recordings linked to F
|
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| G | 8c627aba-d3f9-44c2-873f-8d1eff607894 | 1 | 3:14 | ||||||||||||||||||||||||||||
| H | 6de80397-f068-4247-bdb3-6b6b588fa609 | 2 | 2:57–2:58 | ||||||||||||||||||||||||||||
| I | 066d2f2e-b0a3-41fc-969b-1729a465de8d | 1 | 3:01 | ||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.75 | 0.57 | 0.35 | 0.00 | 0.00 | 0.56 | 0.00 | 0.00 |
| B | 0.75 | — | 0.53 | 0.00 | 0.00 | 0.00 | 0.54 | 0.00 | 0.00 |
| C | 0.57 | 0.53 | — | 0.42 | 0.00 | 0.00 | 0.75 | 0.00 | 0.00 |
| D | 0.35 | 0.00 | 0.42 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| G | 0.56 | 0.54 | 0.75 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |