open source audio identification
MusicBrainz recording
Curb
Nickelback
4:51
bc61ee3f-04a4-4993-96f8-a93b5bbfde9e
View on MusicBrainz →
AcoustIDs
10
linked to this recording
Submissions
1,115
linking them to it
Fingerprints
85
distinct audio files
Duration
3:06–5:39
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | c3550575-3d71-4c0f-9008-79491f59467a | 7 | 4:51–4:52 | |||||||||||||||||||||||||||||||||||||||||||
| B | 55e47aeb-63d0-49aa-954a-c44409f96be4 | 11 | 4:43–4:53 | |||||||||||||||||||||||||||||||||||||||||||
| C | 0b11af6d-e195-4a34-9e4b-1b4bed067b7a | 2 | 4:59–5:02 | |||||||||||||||||||||||||||||||||||||||||||
| D | 669f1162-e0cd-47ba-8a04-2acc9f88e232 | 2 | 4:42–4:43 | |||||||||||||||||||||||||||||||||||||||||||
| E |
75877fe2-7520-4990-a258-c3aef8433456
Also linked to
When We Stand Together by Nickelback, When We Stand Together by Nickelback and
|
57 | 3:06–3:13 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F | 0bf95c0a-c079-4ae1-bce6-01990e57b84c | 1 | 5:39 | |||||||||||||||||||||||||||||||||||||||||||
| G | 3672572e-c6ed-4981-be27-e43ce5fb3966 | 1 | 4:57 | |||||||||||||||||||||||||||||||||||||||||||
| H |
c59e4375-c283-441a-8fe1-0f66230fb67b
Also linked to
Folge 19: „Der Kampf um die Hornburg“, Teil 3 by J.R.R. Tolkien
|
1 | 4:48 | |||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to H
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| I |
b492c512-293e-4d75-aba6-b211732107b8
Also linked to
Just For by Nickelback
|
2 | 4:14–4:17 | |||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to I
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| J | 3494377d-8be3-45fc-9268-b44fa573187e | 1 | 4:51 | |||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | |
|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.88 | 0.93 | 0.85 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.11 |
| B | 0.88 | — | 0.87 | 0.76 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.12 |
| C | 0.93 | 0.87 | — | 0.80 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.11 |
| D | 0.85 | 0.76 | 0.80 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.11 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| J | 0.11 | 0.12 | 0.11 | 0.11 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |