open source audio identification
MusicBrainz recording
In the Mood
Ernie Fields Orchestra
2:36
bc315d58-e35b-41c3-b3b0-1f2253daa570
View on MusicBrainz →
AcoustIDs
4
linked to this recording
Submissions
56
linking them to it
Fingerprints
20
distinct audio files
Duration
2:34–2:42
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
80b5944b-b94f-4c4c-9e7b-6af11a0ac1c1
Also linked to
In the Mood by Ernie Fields Orchestra, In the Mood by Ernie Fields and
|
4 | 2:35–2:37 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| B |
aef86c5f-3739-44e0-ae72-edd332a2e078
Also linked to
In the Mood by Ernie Fields, In the Mood by Ernie Fields Orchestra and
|
2 | 2:36 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| C |
8a3b46b6-a134-4701-a05b-729f2f25f207
Also linked to
In the Mood by Ernie Fields Orchestra
|
5 | 2:34–2:37 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| D |
5f34248a-068d-4d4a-8b98-687d61b9015d
Also linked to
In the Mood by Ernie Fields Orchestra, In the Mood by Ernie Fields Orchestra and
|
9 | 2:38–2:42 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.