open source audio identification
MusicBrainz recording
Sympathy for the Devil
The Rolling Stones
6:52
live, extended audience chatter at beginning
bc104a6a-8b0a-4ac1-a4ed-eb9f1be3e1d5
View on MusicBrainz →
AcoustIDs
8
linked to this recording
Submissions
289
linking them to it
Fingerprints
29
distinct audio files
Duration
6:32–7:01
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
d0eb35cf-3529-4e1d-9179-c09c6b534679
Also linked to
Sympathy for the Devil by The Rolling Stones, Little Queenie by The Rolling Stones and
|
8 | 6:49–6:54 | ||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B | 26dd8df3-aa93-450f-9dcc-ed3622d5ef5d | 9 | 6:52–6:59 | ||||||||||||||||||||||||||||
| C |
47334c6c-8869-4fc5-bae9-eb8053aba047
Also linked to
Sympathy for the Devil by The Rolling Stones, Sympathy for the Devil by The Rolling Stones and
|
3 | 6:34–6:35 | ||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
9037ddeb-358c-46d1-8691-4a034829ca82
Also linked to
Sympathy for the Devil by The Rolling Stones
|
2 | 6:55–6:57 | ||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E |
921655e9-c071-475f-bbb9-6c7f7ac84009
Also linked to
Sympathy for the Devil by The Rolling Stones
|
1 | 6:59 | ||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F |
01577b3e-f96b-4451-815f-fcd53757eeb6
Also linked to
Sympathy for the Devil by The Rolling Stones, Sympathy for the Devil by The Rolling Stones and
|
2 | 6:39–6:40 | ||||||||||||||||||||||||||||
|
Recordings linked to F
|
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| G | 35c5329e-43d8-4719-8919-a883838fcbe9 | 2 | 7:01 | ||||||||||||||||||||||||||||
| H |
b11a5e7f-6b5a-409d-b9c1-827c9f40faa6
Also linked to
Sympathy for the Devil by The Rolling Stones, Sympathy for the Devil (live) by The Rolling Stones and
|
2 | 6:32 | ||||||||||||||||||||||||||||
|
Recordings linked to H
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | |
|---|---|---|---|---|---|---|---|---|
| A | — | 0.66 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.66 | — | 0.00 | 0.43 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.65 | 0.00 | 0.63 |
| D | 0.00 | 0.43 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.41 | 0.00 |
| F | 0.00 | 0.00 | 0.65 | 0.00 | 0.00 | — | 0.00 | 0.89 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.41 | 0.00 | — | 0.00 |
| H | 0.00 | 0.00 | 0.63 | 0.00 | 0.00 | 0.89 | 0.00 | — |