open source audio identification
MusicBrainz recording
Come Rain or Come Shine
Frank Sinatra
4:06
1961 original studio mix
bbf03204-b601-42e7-885a-e329cbdbedb0
View on MusicBrainz →
AcoustIDs
10
linked to this recording
Submissions
1,250
linking them to it
Fingerprints
29
distinct audio files
Duration
4:03–4:55
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
7fd18f94-b1f5-483c-85fc-c5cb348df354
Also linked to
Come Rain or Come Shine by Frank Sinatra, Come Rain or Come Shine by Frank Sinatra and
|
8 | 4:05–4:08 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
de23b115-a02c-4020-9319-87eabec0b9f1
Also linked to
Come Rain or Come Shine by Frank Sinatra, Come Rain or Come Shine by Frank Sinatra and
|
5 | 4:06–4:08 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
8b96b5b8-1978-4f08-8065-82b03b9b3c14
Also linked to
Come Rain or Come Shine by Frank Sinatra duet with Gloria Estefan, Love Letters by Bonnie Raitt & Elton John and
|
7 | 4:04–4:06 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D | f71ec4e4-3864-4da0-8ee0-c1ac23f8ac1a | 1 | 4:16 | ||||||||||||||||||||||||||||||||||||||||||||||||
| E | 05f334fd-4120-42fd-ab3b-33f4358d62c0 | 1 | 4:06 | ||||||||||||||||||||||||||||||||||||||||||||||||
| F | 79a18c9b-fd48-4dd3-8356-072d0c55ab60 | 1 | 4:07 | ||||||||||||||||||||||||||||||||||||||||||||||||
| G | ce02c940-33ce-43c0-ae36-16778fd8ef04 | 2 | 4:04–4:05 | ||||||||||||||||||||||||||||||||||||||||||||||||
| H | 1e876b20-6951-480e-9787-d7aceb1ce18f | 1 | 4:07 | ||||||||||||||||||||||||||||||||||||||||||||||||
| I | 821185b8-cf46-4415-aebb-08c77774161b | 1 | 4:03 | ||||||||||||||||||||||||||||||||||||||||||||||||
| J | 5730b815-5c04-455f-bc65-0df99d44d709 | 2 | 4:51–4:55 | ||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | |
|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.58 | 0.00 | 0.96 | 0.62 | 0.00 | 0.37 | 0.00 | 0.00 | 0.85 |
| B | 0.58 | — | 0.00 | 0.59 | 0.45 | 0.00 | 0.45 | 0.00 | 0.00 | 0.64 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.96 | 0.59 | 0.00 | — | 0.62 | 0.00 | 0.32 | 0.00 | 0.00 | 0.86 |
| E | 0.62 | 0.45 | 0.00 | 0.62 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.65 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.37 | 0.45 | 0.00 | 0.32 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.38 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| J | 0.85 | 0.64 | 0.00 | 0.86 | 0.65 | 0.00 | 0.38 | 0.00 | 0.00 | — |