AcoustID open source audio identification
MusicBrainz recording

When You Say Nothing at All

Ronan Keating 4:06
bb1a2564-9748-4aea-aa9e-a7d4ce634050 View on MusicBrainz →
AcoustIDs
11
linked to this recording
Submissions
269
linking them to it
Fingerprints
176
distinct audio files
Duration
3:57–4:21
range of submitted files

AcoustIDs

Most submitted first, 2 disabled
Show 2 disabled links
AcoustID Most common fingerprint Fingerprints Length Sources
A f514a22d-d00f-4468-81c3-d22dd8f586bc
Also linked to When You Say Nothing at All by Ronan Keating, Saving All My Love for You by Whitney Houston
8 4:01–4:08
146
B bc33b729-307f-4c12-b908-ba7a05a32158
Also linked to When You Say Nothing at All by Ronan Keating, When You Say Nothing at All by Ronan Keating and
50 4:11–4:18
45
C 9e7a0f68-1761-4994-b1b7-5d09045700f6
Also linked to When You Say Nothing at All by Ronan Keating, All the Time in the World by Boyzone
7 4:09–4:16
27
D 41ef0fa9-3c6e-4957-b8d6-1e7581faaaaa
Also linked to When You Say Nothing at All by Ronan Keating, When You Say Nothing at All by Ronan Keating
1 4:10
25
E 362b2dfc-3694-4881-b29e-b9f0353646d1
Also linked to When You Say Nothing at All by Ronan Keating, When You Say Nothing at All by Ronan Keating and
16 4:14–4:21
17
F 541cb305-13ec-4ae6-9011-f5cff4fed434
Also linked to When You Say Nothing at All by Alison Krauss & Union Station, When You Say Nothing at All by Alison Krauss & Union Station and
6 4:00–4:06
3
G 39da0513-0794-4c87-892a-952e426e5e62
Also linked to All or Nothin’ by Tom Petty and the Heartbreakers
10 4:04–4:08
2
H 8b5de4b0-31d1-4f33-b05a-220b9b6ee977
Also linked to When the Going Gets Tough, the Tough Get Going by Billy Ocean, When the Going Gets Tough, the Tough Get Going by Billy Ocean and
66 4:05–4:12
1
I bb4eb3cb-b4cb-42fe-89a2-e3f9465a2ed3
Also linked to Whenever You Feel Like It by Kylie Minogue
8 4:05–4:06
1
J 3a04fd55-0612-4e0d-bb8d-9a9fa0a8487c 2 4:02–4:07
1
K 168bf165-de5f-4809-b65c-3ae124c0b163 2 3:57–4:04
1

Are they the same audio?

Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.

ABCDEFGHIJK
A — 0.96 0.95 0.82 0.79 0.00 0.00 0.00 0.00 0.61 0.63
B 0.96 — 0.93 0.80 0.79 0.00 0.00 0.00 0.00 0.61 0.63
C 0.95 0.93 — 0.83 0.78 0.00 0.00 0.00 0.00 0.61 0.62
D 0.82 0.80 0.83 — 0.88 0.00 0.00 0.00 0.00 0.69 0.70
E 0.79 0.79 0.78 0.88 — 0.00 0.00 0.00 0.00 0.67 0.73
F 0.00 0.00 0.00 0.00 0.00 — 0.00 0.00 0.00 0.00 0.00
G 0.00 0.00 0.00 0.00 0.00 0.00 — 0.00 0.00 0.00 0.00
H 0.00 0.00 0.00 0.00 0.00 0.00 0.00 — 0.00 0.00 0.00
I 0.00 0.00 0.00 0.00 0.00 0.00 0.00 0.00 — 0.00 0.00
J 0.61 0.61 0.61 0.69 0.67 0.00 0.00 0.00 0.00 — 0.82
K 0.63 0.63 0.62 0.70 0.73 0.00 0.00 0.00 0.00 0.82 —