open source audio identification
MusicBrainz recording
If You Don’t Know Me by Now
Harold Melvin & The Blue Notes
3:33
re-recording
baf0ebe8-9fa3-440f-8f5c-bae4556e1cc9
View on MusicBrainz →
AcoustIDs
5
linked to this recording
Submissions
24
linking them to it
Fingerprints
48
distinct audio files
Duration
3:28–3:39
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
24c1c40c-7688-40d8-b19f-680644b3bba2
Also linked to
If You Don’t Know Me by Now by Harold Melvin & The Blue Notes, If You Don’t Know Me by Now by Harold Melvin & The Blue Notes and
|
32 | 3:32–3:38 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
||||||||||||||||||||||||||||||||||||||||||||||
| B |
e6c87de6-886c-4b58-a0cf-5b6a189c0b56
Also linked to
If You Don’t Know Me by Now by Harold Melvin & The Blue Notes, If You Don’t Know Me by Now by Harold Melvin & The Blue Notes
|
5 | 3:28–3:34 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
||||||||||||||||||||||||||||||||||||||||||||||
| C | 4809883a-8f43-460d-a9c2-14f1843bbc3a | 1 | 3:33 | |||||||||||||||||||||||||||||||||||||||||||
| D |
e333b774-5876-4036-8333-f7a0b5f7353e
Also linked to
If You Don’t Know Me by Now by Harold Melvin & The Blue Notes, If You Don’t Know Me by Now by Harold Melvin & The Blue Notes
|
7 | 3:33–3:39 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
||||||||||||||||||||||||||||||||||||||||||||||
| E |
6ec82345-1158-4f09-8d00-c1d3ae94d64e
Also linked to
If You Don’t Know Me by Now by Harold Melvin & The Blue Notes
|
3 | 3:31–3:33 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.