MusicBrainz recording

Send Me the Pillow That You Dream On

Dean Martin 2:42 live, 1964: Frank Sinatra Spectacular
ba0d9328-bb69-47e1-bc46-4f7302f8bc13 View on MusicBrainz →
AcoustIDs
10
linked to this recording
Submissions
10
linking them to it
Fingerprints
314
distinct audio files
Duration
2:37–3:14
range of submitted files

AcoustIDs

Most submitted first
AcoustID Most common fingerprint Fingerprints Length Sources
A 39477a8d-8411-4ba1-9f45-c270fa9520ab
Also linked to That’s Amore by Dean Martin, That’s Amore by Dean Martin and
123 3:05–3:14
1
B 4f5c4605-07ad-4dfd-90c3-7a71033f2efd
Also linked to Sway by Dean Martin, Sway by Dean Martin and
9 2:42–2:45
1
C 14ac3f8b-87dd-40aa-8f2d-2e86b860e984
Also linked to Volare (Nel blu, dipinto di blu) by Dean Martin with orchestra conducted by Gus Levene, Moonlight Serenade by Glenn Miller and
62 2:57–3:04
1
D 6b8f54b8-e16f-4d46-b48d-3207cd8da1c5
Also linked to All I Do Is Dream of You by Dean Martin, All I Do Is Dream of You by Dean Martin and
9 2:42–2:47
1
E 7ec144c8-af56-45b4-97cd-00c7f2ba7d8e
Also linked to How D’Ya Like Your Eggs in the Morning? by Dean Martin with Helen O’Connell, How D’Ya Like Your Eggs in the Morning by Dean Martin & Helen O'Connell and
31 2:44–2:50
1
F 22b50444-c0ab-4ab2-aa1c-cdaf348116dd
Also linked to If You Were the Only Girl in the World by Dean Martin, If You Were the Only Girl in the World by Dean Martin and
7 2:52–2:56
1
G 9b649f4b-0e68-4556-b596-229f3b051923
Also linked to Deep Purple by Dean Martin, Deep Purple by Dean Martin and
8 2:37–2:47
1
H 963e66a8-71f6-44e4-9632-e5a69ebc6cfc
Also linked to Heart and Soul by Dean Martin, Heart and Soul by Dean Martin and
7 2:38–2:44
1
I e604581a-9770-4a19-ba19-e40b198fadb1
Also linked to When You’re Smiling by Dean Martin, When You’re Smiling by Dean Martin and
33 3:01–3:08
1
J 82835dd7-3278-47b7-9602-6e176b7a5d7a
Also linked to I Got the Sun in the Morning by Dean Martin, I Got the Sun in the Morning by Dean Martin and
25 2:51–2:56
1

Are they the same audio?

Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.