open source audio identification
MusicBrainz recording
Never Be Lonely
The Feeling
3:32
b95ef3e9-5bfa-403d-8203-8690c13f2177
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
819
linking them to it
Fingerprints
34
distinct audio files
Duration
2:09–4:10
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
32d568db-b9df-46db-9c7a-3c55cdb7c63b
Also linked to
Never Be Lonely by The Feeling, The Lonely One by Alice DeeJay and
|
10 | 3:29–3:34 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B | de43df35-2540-46a3-92f4-50631dcafbe2 | 1 | 3:37 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
| C | 36b77257-8f77-4adc-880c-a7532013feae | 3 | 3:31–3:34 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
| D | 49f90790-e30d-4122-a7f8-2e464e266e4b | 1 | 3:31 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
| E |
c7f6f9d7-3a24-48f4-aff5-9b7cf930cff5
Also linked to
Say It Right by Nelly Furtado, Say It Right by Nelly Furtado and
|
14 | 3:32–3:37 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F | 7d35c49f-71d3-483a-9cc2-b63a2c4ab54f | 1 | 2:31 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
| G | 6ab079bb-2a5f-4c7f-8e64-8bea06c16ebc | 1 | 2:09 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
| H |
357649be-c6da-4820-aa83-941cd6cbd9e2
Also linked to
Last Request by Paolo Nutini, Last Request by Paolo Nutini
|
2 | 3:41–3:43 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to H
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| I | 76c8ea95-8144-4670-b205-516dc1ac82da | 1 | 4:10 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.92 | 0.54 | 0.73 | 0.00 | 0.84 | 0.00 | 0.00 | 0.84 |
| B | 0.92 | — | 0.64 | 0.71 | 0.00 | 0.90 | 0.00 | 0.00 | 0.91 |
| C | 0.54 | 0.64 | — | 0.54 | 0.00 | 0.61 | 0.00 | 0.00 | 0.61 |
| D | 0.73 | 0.71 | 0.54 | — | 0.00 | 0.69 | 0.00 | 0.00 | 0.69 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.84 | 0.90 | 0.61 | 0.69 | 0.00 | — | 0.00 | 0.00 | 0.97 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| I | 0.84 | 0.91 | 0.61 | 0.69 | 0.00 | 0.97 | 0.00 | 0.00 | — |