MusicBrainz recording
The Mood That I'm In
Billie Holiday
3:02
b9507ce7-b458-4d1d-aaa4-b78435a98a25
View on MusicBrainz →
AcoustIDs
3
linked to this recording
Submissions
34
linking them to it
Fingerprints
28
distinct audio files
Duration
2:57–3:09
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
9b9da5e3-f914-41a2-978b-7b854babfe60
Also linked to
The Mood That I'm In by Billie Holiday, The Mood That I’m In by Billie Holiday and
|
11 | 2:59–3:04 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| B |
eb5bb144-8432-4286-825f-87321a52fadc
Also linked to
The Mood That I’m In by Billie Holiday, The Mood That I Am In by Billie Holiday and
|
13 | 2:57–3:02 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| C |
75a86d9d-34e5-44e3-941a-696f391ecfdf
Also linked to
I’m Pulling Through by Billie Holiday & Lester Young, You’re a Lucky Guy by Billie Holiday & Lester Young
|
4 | 3:09 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.