open source audio identification
MusicBrainz recording
Save Your Heart for Me
Gary Lewis & the Playboys
1:59
stereo
b93c1fbd-a6bc-46d2-89ff-1acb1c8f3581
View on MusicBrainz →
AcoustIDs
5
linked to this recording
Submissions
49
linking them to it
Fingerprints
37
distinct audio files
Duration
1:48–2:06
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
559f608e-acf8-4d27-adae-8c8729221b5c
Also linked to
Save Your Heart for Me by Gary Lewis & the Playboys, Save Your Heart for Me by Gary Lewis & the Playboys and
|
11 | 1:56–2:03 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
88c73fdc-b398-471a-9eca-47316720b244
Also linked to
Save Your Heart for Me by Gary Lewis & the Playboys, Save Your Heart for Me by Gary Lewis & the Playboys and
|
9 | 1:48–1:52 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
ccf47f4c-cccc-4929-9d18-8d896157b06e
Also linked to
Save Your Heart for Me by Gary Lewis & the Playboys, Save Your Heart for Me by Gary Lewis & the Playboys and
|
2 | 2:04–2:06 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
2bef6860-2c35-44cd-b3e3-0fe9c6935761
Also linked to
Save Your Heart for Me by Gary Lewis & the Playboys, Save Your Heart for Me by Gary Lewis & the Playboys and
|
9 | 1:54–2:00 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
|
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| E |
33d9ca45-bced-4e19-a6e9-06915b6aeb74
Also linked to
Save Your Heart for Me by Gary Lewis and the Playboys, Save Your Heart for Me by Gary Lewis & the Playboys and
|
6 | 1:54–1:58 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.