open source audio identification
MusicBrainz recording
Ich geh’ jetzt aus (sonst geh’ ich ein)
Rosenstolz
3:11
b9287b23-63be-4d91-89cc-ea7c9f5cd48b
View on MusicBrainz →
AcoustIDs
8
linked to this recording
Submissions
37
linking them to it
Fingerprints
17
distinct audio files
Duration
3:11–3:15
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
c90a9b7b-5809-452b-8848-16865e1722d3
Also linked to
Ich geh’ jetzt aus (… sonst geh’ ich ein) by Rosenstolz
|
6 | 3:11–3:13 | ||||||||||||||||||
|
Recordings linked to A
|
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| B |
bf850ac0-4514-4dec-a43c-cdcbda72a5b0
Also linked to
Alpha Beta Gaga by Air, Another Day by Air
|
1 | 3:14 | ||||||||||||||||||
|
Recordings linked to B
|
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| C |
fefdfc85-aff6-4425-a790-6606c1e28691
Also linked to
Woman Like That by Airbourne, Woman Like That by Airbourne
|
3 | 3:14 | ||||||||||||||||||
|
Recordings linked to C
|
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| D |
daa63ec2-ddf0-41a6-b5d1-911b27d8183e
Also linked to
Vanishing by Barenaked Ladies
|
1 | 3:14 | ||||||||||||||||||
|
Recordings linked to D
|
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| E |
a4fbd0c2-f23b-494b-9104-6de19466dd59
Also linked to
Giacomo Puccini - Turandot: "Nessun dorma" by Andrea Bocelli
|
1 | 3:14 | ||||||||||||||||||
|
Recordings linked to E
|
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| F |
d7d52661-ffaf-4396-89c4-e8560d3659bf
Also linked to
Creature by Asking Alexandria, I Hear the Laughter by Leo Sayer
|
3 | 3:14 | ||||||||||||||||||
|
Recordings linked to F
|
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| G |
3f128a7a-0512-422b-bc77-8bd68aad8847
Also linked to
It Dwells in Me by All That Remains
|
1 | 3:14 | ||||||||||||||||||
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Recordings linked to G
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| H |
81ac726f-a1ea-49a6-8cb1-e6edfd3508dc
Also linked to
Sweet Emotion by Aerosmith
|
1 | 3:15 | ||||||||||||||||||
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Recordings linked to H
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | |
|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |