open source audio identification
MusicBrainz recording
In My Head
Цепь Мандрагоры
3:37
b8d3126d-766e-42e3-8db1-72efe8f27589
View on MusicBrainz →
AcoustIDs
12
linked to this recording
Submissions
79
linking them to it
Fingerprints
51
distinct audio files
Duration
3:26–3:49
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | 6a21a690-e5a0-49dd-89d5-f18b2b615461 | 1 | 3:27 | ||||||||||||||||||
| B | a2353bba-5df2-487d-8539-c63115d838a0 | 1 | 3:43 | ||||||||||||||||||
| C |
5623f6f1-5c94-4e75-99d1-06ca5610a3f9
Also linked to
Finally by CeCe Peniston, Finally (7” Choice mix) by CeCe Peniston and
|
24 | 3:37–3:44 | ||||||||||||||||||
|
Recordings linked to C
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| D |
dc74e770-5e89-41dd-a2fd-e9ede33ed3af
Also linked to
Don’t Ever Let It End by Nickelback, Cowboy Hat by Nickelback
|
9 | 3:49 | ||||||||||||||||||
|
Recordings linked to D
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| E |
f7a980ea-28a7-4ed6-b305-fab1b3fdc2ab
Also linked to
Vai chover by Daniela Mercury
|
4 | 3:39 | ||||||||||||||||||
|
Recordings linked to E
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| F |
335bbb77-871d-4e69-a0e4-3499b494b630
Also linked to
Forró da Musa by Trio Forrozão
|
2 | 3:46 | ||||||||||||||||||
|
Recordings linked to F
|
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| G | 3c915020-9d8a-4992-ba46-9a0a7b1d9661 | 2 | 3:44–3:45 | ||||||||||||||||||
| H | f16a3b5c-1202-40fa-83a6-327845739af9 | 1 | 3:42 | ||||||||||||||||||
| I |
5c8a0fd1-2a79-4599-9103-5a66b0c98491
Also linked to
It's You, Only You by Slim & Slam
|
3 | 3:26–3:28 | ||||||||||||||||||
|
Recordings linked to I
|
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| J | a706079b-403f-4cfb-9b76-a42a42989fd3 | 2 | 3:31–3:32 | ||||||||||||||||||
| K | 07dc4980-7013-43fc-a4f3-6f7381d16a00 | 1 | 3:36 | ||||||||||||||||||
| L | 57dfe9ee-bc6f-4f5c-a8c7-941a6472e7ff | 1 | 3:48 | ||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | L | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| K | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| L | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |