open source audio identification
MusicBrainz recording
Touch It (remix dirty)
Busta Rhymes f./ Mary J. Blige, Rah Digga & Missy Elliott
3:54
b860f669-b7d1-4b1d-adc5-39733f7f3e35
View on MusicBrainz →
AcoustIDs
4
linked to this recording
Submissions
45
linking them to it
Fingerprints
25
distinct audio files
Duration
3:50–9:00
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
f822e2b7-26e4-4a99-851a-93d2918fd530
Also linked to
Touch It (remix) by Busta Rhymes featuring Mary J. Blige, Rah Digga, Missy Elliot, Lloyd Banks, Papoose & DMX, Touch It (remix) by Busta Rhymes and
|
5 | 6:55–7:00 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
ac798719-934b-406a-af58-8d2f3d2d89c9
Also linked to
Touch It (remix) by Busta Rhymes feat. Mary J. Blige, Rah Digga & Missy Elliott, Touch It (the remix) by Busta Rhymes feat. Mary J. Blige, Rah Digga, Missy Elliott, Lloyd Banks, DMX & Papoose and
|
15 | 3:54–4:00 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
86608f23-3dd9-4776-8d16-cc64188cca8e
Also linked to
Touch It (remix) by Busta Rhymes feat. Mary J. Blige, Rah Digga & Missy Elliott, Touch It Remix (clean) by Busta Rhymes feat. Mary J. Blige, Missy Elliott & Rah Digga and
|
3 | 3:50–3:56 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
7379a702-874a-438b-967e-66cbb9f98f3e
Also linked to
Touch It by Busta Rhymes feat. Mary J. Blige, Lloyd Banks, DMX, Rah Digga, Missy Elliott & Papoose, Touch It (remix) by Busta Rhymes
|
2 | 9:00 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.