open source audio identification
MusicBrainz recording
Jump to the Beat
Stacy Lattisaw
3:33
single version
b810b722-92ca-49e8-bda2-2c32d89608c7
View on MusicBrainz →
AcoustIDs
10
linked to this recording
Submissions
612
linking them to it
Fingerprints
99
distinct audio files
Duration
3:21–3:50
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
5af0869a-f3f7-4a1a-9c2d-2c649b0bef7f
Also linked to
Jump to the Beat by Stacy Lattisaw, Jump to the Beat by Stacy Lattisaw and
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25 | 3:32–3:39 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to A
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| B |
d3f91661-4039-46fb-85c6-5823bac912f5
Also linked to
Jump To The Beat by Stacy Lattisaw, Jump to the Beat by Stacy Lattisaw and
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19 | 3:24–3:31 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to B
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| C |
7d54265c-30f9-4f94-9570-212c8619d541
Also linked to
Jump to the Beat by Stacy Lattisaw
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4 | 3:30–3:31 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
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| D |
471e48a5-2d6a-4652-8c15-224456b30b31
Also linked to
Jump to the Beat by Stacy Lattisaw, Jump to the Beat by Stacy Lattisaw and
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3 | 3:21–3:23 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
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| E |
6a6286f0-1bd8-4886-ad2f-638d8c26cc3a
Also linked to
The Rhythm of the Night (Rapino Bros 7" single) by Corona, The Rhythm of the Night (radio edit) by Corona and
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7 | 3:40–3:43 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
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| F |
55a47415-851a-436e-85be-8c9ad478c69c
Also linked to
The Way We Were by Barbra Streisand, The Way We Were by Andy Williams and
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34 | 3:26–3:33 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to F
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| G | df323a88-8f9f-4c93-8929-1abd26db89bc | 3 | 3:44–3:50 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| H | 4cffae09-e958-458f-beab-8e15648c68ce | 1 | 3:25 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| I | d3381ec2-9d8c-4d3a-9ca2-e3775be888e1 | 1 | 3:30 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| J | 4ca562b2-0767-4745-ae99-622e9d867c80 | 2 | 3:32–3:33 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | |
|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.82 | 0.00 | 0.85 | 0.00 | 0.00 | 0.84 | 0.59 | 0.00 | 0.74 |
| B | 0.82 | — | 0.00 | 0.90 | 0.00 | 0.00 | 0.78 | 0.67 | 0.00 | 0.76 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.85 | 0.90 | 0.00 | — | 0.00 | 0.00 | 0.80 | 0.61 | 0.00 | 0.74 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.84 | 0.78 | 0.00 | 0.80 | 0.00 | 0.00 | — | 0.51 | 0.00 | 0.65 |
| H | 0.59 | 0.67 | 0.00 | 0.61 | 0.00 | 0.00 | 0.51 | — | 0.00 | 0.70 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| J | 0.74 | 0.76 | 0.00 | 0.74 | 0.00 | 0.00 | 0.65 | 0.70 | 0.00 | — |