open source audio identification
MusicBrainz recording
I Will Remember You
Sarah McLachlan
4:53
b77d3c7b-04a0-4ad7-ab0d-4b37f214cbeb
View on MusicBrainz →
AcoustIDs
12
linked to this recording
Submissions
802
linking them to it
Fingerprints
86
distinct audio files
Duration
1:30–5:48
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
48043b54-1e4e-446e-99a0-e2d595df07fd
Also linked to
I Will Remember You (original version) by Sarah McLachlan, I Will Remember You by Sarah McLachlan and
|
13 | 4:48–4:55 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
3a730641-531c-4103-9289-75bc025f029a
Also linked to
Building a Mystery by Sarah McLachlan, I Will Remember You by Sarah McLachlan and
|
4 | 4:50–4:57 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
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| C |
a2a53a96-1329-46b1-b3e7-d9d310b3fcfc
Also linked to
Sexual Revolution by Macy Gray, I Will Remember You (original version) by Sarah McLachlan and
|
6 | 4:45–4:49 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
|
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| D | 8008fa20-9d69-4548-9b0e-b2462349f718 | 3 | 4:58–5:02 | ||||||||||||||||||||||||||||||||||||||||||||||||
| E | 4a07187d-87e0-4a8f-a12b-712a68ef0b79 | 5 | 4:44–4:46 | ||||||||||||||||||||||||||||||||||||||||||||||||
| F | c89de982-0a6f-43c8-892c-23fbff9791ce | 1 | 1:30 | ||||||||||||||||||||||||||||||||||||||||||||||||
| G | 7de68d36-2d36-4897-a210-f352adcf601e | 1 | 4:48 | ||||||||||||||||||||||||||||||||||||||||||||||||
| H |
c400b1c5-b4c7-47d5-aaa9-b193fe4bf791
Also linked to
Blue by Sarah McLachlan
|
1 | 4:56 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to H
|
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| I | 22aab2db-e068-498b-b25b-7ea0fb1cd8fd | 1 | 4:47 | ||||||||||||||||||||||||||||||||||||||||||||||||
| J |
6686f228-2d09-4147-a6f1-f6e7766c6128
Also linked to
Get Together by The Youngbloods, Get Together by The Youngbloods and
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49 | 4:32–4:39 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to J
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| K | c31aec47-bd75-4c27-a14f-c794238df21d | 1 | 5:48 | ||||||||||||||||||||||||||||||||||||||||||||||||
| L | 58491c80-d128-4a3f-b4e4-30b1d2640f19 | 1 | 4:55 | ||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | L | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.89 | 0.90 | 0.87 | 0.00 | 0.90 | 0.00 | 0.00 | 0.74 | 0.00 | 0.87 | 0.00 |
| B | 0.89 | — | 0.96 | 0.95 | 0.00 | 0.88 | 0.00 | 0.00 | 0.79 | 0.00 | 0.95 | 0.00 |
| C | 0.90 | 0.96 | — | 0.94 | 0.00 | 0.90 | 0.00 | 0.00 | 0.79 | 0.00 | 0.94 | 0.00 |
| D | 0.87 | 0.95 | 0.94 | — | 0.00 | 0.86 | 0.00 | 0.00 | 0.80 | 0.00 | 1.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.90 | 0.88 | 0.90 | 0.86 | 0.00 | — | 0.00 | 0.00 | 0.72 | 0.00 | 0.86 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| I | 0.74 | 0.79 | 0.79 | 0.80 | 0.00 | 0.72 | 0.00 | 0.00 | — | 0.00 | 0.80 | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| K | 0.87 | 0.95 | 0.94 | 1.00 | 0.00 | 0.86 | 0.00 | 0.00 | 0.80 | 0.00 | — | 0.00 |
| L | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |