open source audio identification
MusicBrainz recording
Sympathy for the Devil
The Rolling Stones
5:35
live, 1990: Korakuen Dome, Tokyo, Japan
b71b7b4a-4019-4bc7-a56d-ea5d578a049e
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
977
linking them to it
Fingerprints
57
distinct audio files
Duration
5:24–8:40
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
c7241940-0483-48c3-be99-0f85e42fdbe4
Also linked to
Sympathy for the Devil by The Rolling Stones, Sympathy for the Devil by The Rolling Stones and
|
9 | 5:30–5:35 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
bfa83f7f-6fd1-4430-a209-c8fcbdea6604
Also linked to
Sympathy for the Devil by The Rolling Stones, Sympathy for the Devil by The Rolling Stones and
|
12 | 6:17–6:24 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
7ded2e36-67db-4a2a-b0ed-fdeb4fce28e0
Also linked to
Sympathy for the Devil (live) by The Rolling Stones
|
2 | 8:40 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
639ba437-313b-454b-ab44-f79970655928
Also linked to
Sympathy for the Devil (live) by The Rolling Stones, Sympathy for the Devil (live) by The Rolling Stones
|
2 | 5:24 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
|
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| E |
c7987699-93c0-46a5-8d80-967cfd51e9f8
Also linked to
Sympathy for the Devil by The Rolling Stones, Sympathy for the Devil by The Rolling Stones and
|
28 | 6:15–6:22 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
|
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| F | 13d6d1fd-eaf0-4204-b3d8-6782d1cdb0ea | 1 | 5:35 | ||||||||||||||||||||||||||||||||||||||||||||||||
| G | 8413ac7b-d1ef-4724-b05e-1fd14f563420 | 1 | 5:34 | ||||||||||||||||||||||||||||||||||||||||||||||||
| H | 1b11e262-c9ff-4257-9e05-cb4b45d7ac3f | 1 | 5:34 | ||||||||||||||||||||||||||||||||||||||||||||||||
| I | a71e6077-9cce-4bad-97b8-36e4a681f6cd | 1 | 5:35 | ||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.75 | 0.00 | 0.63 | 0.00 | 0.00 | 0.00 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.75 | 0.00 | 0.00 | — | 0.00 | 0.55 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.63 | 0.00 | 0.00 | 0.55 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.60 | 0.66 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.60 | — | 0.50 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.66 | 0.50 | — |