MusicBrainz recording
Bitch
Meredith Brooks
4:13
b64f218e-5556-41fc-96cc-7b625614aebb
View on MusicBrainz →
AcoustIDs
8
linked to this recording
Submissions
2,525
linking them to it
Fingerprints
71
distinct audio files
Duration
3:55–4:35
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | 68c715bb-7648-48d3-9204-a02794636a58 | 23 | 4:08–4:14 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B | e5738ec4-1429-4083-bdd3-0936c2fc61b7 | 14 | 4:04–4:11 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
fdc5dd3f-e45c-43bb-8541-22940a62994e
Also linked to
Bitch (edit) by Meredith Brooks, Bitch by Meredith Brooks and
|
24 | 3:56–4:03 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
c4fc3cd7-95d0-46d8-8a63-a12cebaf143c
Also linked to
Bitch by Meredith Brooks
|
6 | 4:14–4:21 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E |
05096a4e-294c-4296-bedd-7c316feb8ea8
Also linked to
Bitch (live in Germany) by Meredith Brooks
|
1 | 4:35 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F |
bac2caf7-49bc-40ef-b797-cc0f8aa4b425
Also linked to
Bitch (edit) by Meredith Brooks, Bitch by Meredith Brooks and
|
1 | 4:04 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to F
|
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| G | 5d8bbd6c-5345-4b3b-b096-f2a58c602579 | 1 | 4:12 | |||||||||||||||||||||||||||||||||||||||||||
| H |
3fd99058-6c43-4bc4-8e6e-2abf24e4d375
Also linked to
Bitch (edit) by Meredith Brooks, Bitch by Meredith Brooks
|
1 | 3:55 | |||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to H
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | |
|---|---|---|---|---|---|---|---|---|
| A | — | 0.92 | 0.95 | 0.91 | 0.00 | 0.91 | 0.69 | 0.86 |
| B | 0.92 | — | 0.94 | 0.94 | 0.00 | 0.94 | 0.71 | 0.90 |
| C | 0.95 | 0.94 | — | 0.94 | 0.00 | 0.93 | 0.70 | 0.89 |
| D | 0.91 | 0.94 | 0.94 | — | 0.00 | 0.96 | 0.71 | 0.92 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| F | 0.91 | 0.94 | 0.93 | 0.96 | 0.00 | — | 0.72 | 0.94 |
| G | 0.69 | 0.71 | 0.70 | 0.71 | 0.00 | 0.72 | — | 0.74 |
| H | 0.86 | 0.90 | 0.89 | 0.92 | 0.00 | 0.94 | 0.74 | — |