open source audio identification
MusicBrainz recording
Not Fade Away (stripped)
The Rolling Stones
3:10
live, 1995: Lisbon, Portugal
b6367d6e-2ba2-4274-be9d-9794eb40c851
View on MusicBrainz →
AcoustIDs
10
linked to this recording
Submissions
1,837
linking them to it
Fingerprints
30
distinct audio files
Duration
2:54–3:12
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
9fcefc12-3fed-4804-a419-185ed2af910f
Also linked to
Not Fade Away by The Rolling Stones, Not Fade Away by The Rolling Stones and
|
8 | 3:05–3:09 | ||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
801c8848-6d03-4191-865c-606b16af8797
Also linked to
Route 66 by The Rolling Stones
|
6 | 2:54–3:00 | ||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C | 28bddd91-f996-4b78-969e-aa41840202a9 | 3 | 3:06–3:10 | ||||||||||||||||||||||||||||
| D | bdff6fd3-3fd0-473b-985e-f79117c5da75 | 1 | 3:06 | ||||||||||||||||||||||||||||
| E |
9af7d762-a7f3-4b27-a1ab-4f67d711a52d
Also linked to
How Many More Years by The Rolling Stones
|
4 | 3:01–3:06 | ||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F |
4e7cbe23-5b10-457f-90e5-a5c290a222c9
Also linked to
Not Fade Away (Amsterdam) by The Rolling Stones
|
4 | 3:10–3:12 | ||||||||||||||||||||||||||||
|
Recordings linked to F
|
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| G | 6d0d04df-e5dc-4879-ace7-b360f94c9591 | 1 | 3:06 | ||||||||||||||||||||||||||||
| H | 3bcb0825-cfc8-4ad4-8c03-9d7efbee8da8 | 1 | 3:06 | ||||||||||||||||||||||||||||
| I |
dcc2591a-e76f-4f98-a3ca-d78d45ad8a8e
Also linked to
Route 66 by The Rolling Stones
|
1 | 3:02 | ||||||||||||||||||||||||||||
|
Recordings linked to I
|
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| J | 96249f80-92f6-464b-93bf-15350151b114 | 1 | 3:07 | ||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | |
|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.52 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.85 | 0.00 |
| C | 0.52 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| I | 0.00 | 0.85 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |