open source audio identification
MusicBrainz recording
Love You To
The Beatles
3:00
2022 mix
b604bf5c-aa0a-4be1-b4b6-13964dbdc2b2
View on MusicBrainz →
AcoustIDs
6
linked to this recording
Submissions
721
linking them to it
Fingerprints
99
distinct audio files
Duration
2:55–3:09
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
3f6e6b4e-6273-45a1-9922-068083db35a5
Also linked to
Love You To by The Beatles, Love You To by The Beatles and
|
4 | 2:57–3:00 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
d5f393f3-6914-48da-b585-4d7c62189304
Also linked to
Love You To by The Beatles, Love You To by The Beatles and
|
31 | 3:02–3:09 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
6b3199c2-b59c-4e3f-a026-7d8a40ab6b39
Also linked to
Love You To by The Beatles, Love You To by The Beatles and
|
17 | 2:58–3:04 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
3d07c1b2-4ab5-4488-bcfd-6dfa00bfc438
Also linked to
Love You To by The Beatles, Love You To by The Beatles and
|
31 | 2:55–3:01 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E |
145db91a-e51e-454b-bde7-d1a8f9615ed5
Also linked to
Love You To by The Beatles, Love You To by The Beatles
|
15 | 2:55–3:01 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F | c72bd36e-9b05-4f55-95a1-c55af0890c82 | 1 | 2:59 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.