open source audio identification
MusicBrainz recording
Je suis venu te dire que je m’en vais
Serge Gainsbourg
3:22
b5c152fe-e610-426f-98fc-b88c0b014f26
View on MusicBrainz →
AcoustIDs
12
linked to this recording
Submissions
706
linking them to it
Fingerprints
67
distinct audio files
Duration
2:20–3:49
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
370da039-b518-4045-a2f2-1adcbcadc8e5
Also linked to
Je suis venu te dire que je m’en vais by Serge Gainsbourg, Je t’aime moi non plus by Serge Gainsbourg en duo avec Jane Birkin and
|
28 | 3:19–3:25 | |||||||||||||||||||||||
|
Recordings linked to A
|
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| B | ffb039ee-91cf-49d6-a8f7-61c7b3e8f14c | 1 | 3:30 | |||||||||||||||||||||||
| C |
91790c19-b5ec-495c-abf7-926e5cc1b011
Also linked to
Marilou sous la neige by Serge Gainsbourg
|
16 | 2:20–2:27 | |||||||||||||||||||||||
|
Recordings linked to C
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| D |
0581285c-5cec-4292-8150-785dd68bd835
Also linked to
Je suis venu te dire que je m’en vais by Serge Gainsbourg, Je m'en Vais by Durango
|
3 | 3:22–3:23 | |||||||||||||||||||||||
|
Recordings linked to D
|
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| E | cc54174b-a72e-4cfc-aa5f-4d6aa7e5e9b4 | 1 | 3:23 | |||||||||||||||||||||||
| F | 770b1e89-b628-4c76-82c7-5437edba818f | 1 | 3:24 | |||||||||||||||||||||||
| G | 6987795f-16b7-4ad5-b0f8-824c29a41c25 | 1 | 3:22 | |||||||||||||||||||||||
| H | e9015be8-cd37-405b-9f72-a130704fe3f4 | 1 | 3:24 | |||||||||||||||||||||||
| I |
9a1346ea-f4fd-41dc-881b-7e80c4fac99c
Also linked to
Ecce homo by Serge Gainsbourg
|
12 | 3:16–3:23 | |||||||||||||||||||||||
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Recordings linked to I
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| J | 1ce568f6-9470-4de6-a0a7-cdb0fc68b874 | 1 | 3:20 | |||||||||||||||||||||||
| K | 6e648e27-b4b3-48b3-9fc6-d5a27b2d8271 | 1 | 3:49 | |||||||||||||||||||||||
| L | fb18a69f-aa63-4629-bd0e-c739a827a729 | 1 | 3:21 | |||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | L | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.92 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.89 | 0.00 |
| B | 0.92 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.94 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.55 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.49 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.49 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| K | 0.89 | 0.94 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| L | 0.00 | 0.00 | 0.00 | 0.00 | 0.55 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |