MusicBrainz recording
If This World Were Mine
Marvin Gaye & Tammi Terrell
2:42
b54965cb-2a5d-4ec3-ab20-60c46cc62b99
View on MusicBrainz →
AcoustIDs
4
linked to this recording
Submissions
203
linking them to it
Fingerprints
34
distinct audio files
Duration
2:40–2:50
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
4711a308-ec8e-4330-b838-e75f94362651
Also linked to
If This World Were Mine by Marvin Gaye & Tammi Terrell, If I Could Build My Whole World Around You by Marvin Gaye & Tammi Terrell and
|
6 | 2:42–2:44 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| B |
f0ca7a38-0177-484c-934c-35c649b6ccbc
Also linked to
If This World Were Mine by Marvin Gaye & Tammi Terrell, If This World Were Mine by Marvin Gaye and
|
24 | 2:40–2:46 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| C |
d50858b4-be99-43c1-9212-7aea865cb223
Also linked to
If This World Were Mine by Marvin Gaye & Tammi Terrell, If This World Were Mine by Marvin Gaye & Tammi Terrell and
|
3 | 2:48–2:50 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| D | 6fe8da49-8b57-4c53-a0b3-44d8f256fe12 | 1 | 2:43 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.