open source audio identification
MusicBrainz recording
Sunday Morning Coming Down
Johnny Cash
4:01
live, 1978-04-11: Sportovní hala, Prague, Czech Republic
b474fdd0-86c1-458c-80a6-87ce4925fdae
View on MusicBrainz →
AcoustIDs
5
linked to this recording
Submissions
43
linking them to it
Fingerprints
39
distinct audio files
Duration
3:57–4:11
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
751b090e-4257-4987-bc39-1e696893c06d
Also linked to
Sunday Morning Coming Down by Johnny Cash, Sunday Morning Coming Down by Johnny Cash
|
2 | 4:00 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
98cd68ea-4fa1-444d-afa5-282605b28186
Also linked to
Sunday Morning Coming Down by Johnny Cash, Sunday Morning Coming Down by Johnny Cash and
|
2 | 4:03 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
ebabf5df-d7ab-4ae0-aba2-13beb38735ad
Also linked to
Sunday Morning Coming Down by Johnny Cash
|
1 | 3:57 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
a34a161f-fdac-4656-ac28-412520b34382
Also linked to
Sunday Morning Coming Down by Johnny Cash, Sunday Mornin' Comin' Down (live) by Johnny Cash and
|
27 | 4:03–4:11 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E |
7970bd16-eadb-42dd-934d-a6a5d70653db
Also linked to
Sunday Morning Coming Down by Johnny Cash, Sunday Mornin’ Comin’ Down by Johnny Cash and
|
7 | 4:02–4:08 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.