open source audio identification
MusicBrainz recording
Have You Ever Loved a Woman
Eric Clapton
7:52
live, 1974: Long Beach Arena, Long Beach, California, USA
b40c9e71-807a-497f-ab58-a8a8a7346ff4
View on MusicBrainz →
AcoustIDs
10
linked to this recording
Submissions
560
linking them to it
Fingerprints
22
distinct audio files
Duration
7:39–7:57
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
3bc3932f-9a1f-4d17-b372-2df6e7473e75
Also linked to
Have You Ever Loved a Woman? (live) by Eric Clapton, Have You Ever Loved a Woman by Eric Clapton
|
5 | 7:50–7:57 | |||||||||||||||||||||||
|
Recordings linked to A
|
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| B | 582acc14-58dc-438a-8503-6dc1f866dee6 | 3 | 7:49–7:50 | |||||||||||||||||||||||
| C |
e450023c-6590-4946-9539-5079aaff7c3b
Also linked to
Have You Ever Loved a Woman by Eric Clapton, Have You Ever Loved a Woman by Eric Clapton and
|
5 | 7:41–7:47 | |||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
da231ce9-5610-4181-b95d-99dc1d7cfd0a
Also linked to
Have You Ever Loved a Woman? (live) by Eric Clapton
|
2 | 7:48–7:49 | |||||||||||||||||||||||
|
Recordings linked to D
|
||||||||||||||||||||||||||
| E |
507e9cb0-b4b6-47d5-bcc8-a442da6cc42b
Also linked to
The Sky Is Crying / Have You Ever Loved a Woman / Rambling on My Mind by Eric Clapton
|
2 | 7:39 | |||||||||||||||||||||||
|
Recordings linked to E
|
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| F | 5b0966ce-d412-4a52-aebc-d8597d6ffd6d | 1 | 7:43 | |||||||||||||||||||||||
| G | 911063a5-b2a3-483c-be33-e00201a7084a | 1 | 7:52 | |||||||||||||||||||||||
| H | 4b5873bc-04c0-4332-9a87-6fe3554d738a | 1 | 7:48 | |||||||||||||||||||||||
| I | 4dbe4503-c1a8-47ce-8d2f-135d571cae25 | 1 | 7:53 | |||||||||||||||||||||||
| J | 0fd77a02-5b2f-4cf5-9404-66368019ef60 | 1 | 7:52 | |||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | |
|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.56 | 0.89 | 0.00 | 0.00 | 0.00 | 0.00 | 0.57 | 0.00 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.71 | 0.00 | 0.00 |
| C | 0.56 | 0.00 | — | 0.57 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.89 | 0.00 | 0.57 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.58 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.71 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| I | 0.57 | 0.00 | 0.00 | 0.58 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |