AcoustID open source audio identification
MusicBrainz recording

Sweet Lorraine

The Nat King Cole Trio 3:10 1943-12-15 recording
b2743e05-d76a-4401-a5f4-b011d5b32d09 View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
338
linking them to it
Fingerprints
120
distinct audio files
Duration
2:34–3:17
range of submitted files

AcoustIDs

Most submitted first, 3 disabled
AcoustID Most common fingerprint Fingerprints Length Sources
A 015a0ad3-ff61-4a6e-8bbd-26c275ce84a4
Also linked to Sweet Lorraine by Nat King Cole, Sweet Lorraine by Nat King Cole and
51 3:07–3:13
278
B 1d6b9a11-5199-4284-91ad-787df3a5fd83 3 3:14–3:15
33
C 005b64a1-006a-42cc-b3b8-b356a77292d7
Also linked to Sweet Lorraine by King Cole “Trio”, Sweet Lorraine by Nat King Cole and
12 2:58–3:01
9
D 6382abf1-9c6d-4afd-8cd4-45f2df6629ae
Also linked to Sweet Lorraine by Nat King Cole
2 3:16–3:17
5
E 5fedb678-d598-4b50-bcf6-4ea412cdc78b
Also linked to Sweet Lorraine by Nat King Cole, Sweet Lorraine by The Nat King Cole Trio and
10 2:34–2:39
4
F 3c836f8f-927e-4c01-84bf-d13f148285c8
Also linked to Sweet Lorraine by Nat King Cole, Sweet Lorraine by Nat King Cole and
12 3:07–3:11
4
G 0f0fa16c-56f8-43c0-9a21-45bd7d2481b9
Also linked to Sweet Lorraine by Nat King Cole, Sweet Lorraine by The Nat King Cole Trio and
18 3:10–3:14
3
H 5b6886a8-1d86-4f83-a020-23ad246931fa
Also linked to Why Don’t You Do Right by Benny Goodman and His Orchestra, Why Don't You Do Right by Benny Goodman and His Orchestra and
5 3:10–3:14
2
I bbff9b41-77e8-4f19-a4f4-112c65887f22
Also linked to Sweet Lorraine by Nat King Cole, Sweet Lorraine by Nat King Cole and
5 3:12–3:17
1
J f62e05ae-22b6-44eb-a1e9-55156a8fd06e
Also linked to Sweet Lorraine by Nat King Cole
2 3:24
1
K b386107f-c4e9-46cf-9f19-09da5e87e56c
Also linked to Sweet Lorraine by The Nat King Cole Trio, Sweet Lorraine by Nat King Cole and
33 4:34–4:39
1
L 179f2125-1077-415c-ac99-14bd1697c328
Also linked to Sweet Lorraine by Nat King Cole, Sweet Lorraine by Nat King Cole and
7 2:46–2:48
1

Are they the same audio?

Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.

ABCDEFGHIJKL
A — 0.00 0.00 0.00 0.00 0.59 0.49 0.00 0.00 0.00 0.00 0.00
B 0.00 — 0.00 0.42 0.00 0.00 0.00 0.00 0.00 0.00 0.00 0.00
C 0.00 0.00 — 0.00 0.00 0.00 0.00 0.00 0.00 0.00 0.00 0.00
D 0.00 0.42 0.00 — 0.00 0.00 0.00 0.00 0.00 0.00 0.00 0.00
E 0.00 0.00 0.00 0.00 — 0.00 0.00 0.00 0.00 0.00 0.00 0.48
F 0.59 0.00 0.00 0.00 0.00 — 0.00 0.00 0.00 0.00 0.00 0.00
G 0.49 0.00 0.00 0.00 0.00 0.00 — 0.00 0.44 0.00 0.00 0.00
H 0.00 0.00 0.00 0.00 0.00 0.00 0.00 — 0.00 0.00 0.00 0.00
I 0.00 0.00 0.00 0.00 0.00 0.00 0.44 0.00 — 0.00 0.00 0.00
J 0.00 0.00 0.00 0.00 0.00 0.00 0.00 0.00 0.00 — 0.00 0.00
K 0.00 0.00 0.00 0.00 0.00 0.00 0.00 0.00 0.00 0.00 — 0.00
L 0.00 0.00 0.00 0.00 0.48 0.00 0.00 0.00 0.00 0.00 0.00 —