MusicBrainz recording
Vamos a bailar
Gipsy Kings
4:56
b1834178-d9c9-4802-8d64-b6679c6e4f01
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
1,154
linking them to it
Fingerprints
35
distinct audio files
Duration
4:48–5:26
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
99941d60-c916-448c-91db-4fc3c21eae98
Also linked to
Vamos a bailar by Gipsy Kings, Vamos a bailar (remix) by Gipsy Kings and
|
9 | 4:54–5:01 | ||||||||||||||||||||||||||||
|
Recordings linked to A
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| B | 378f64e6-3785-4020-8ce4-4f732a0161d3 | 3 | 4:48–4:53 | ||||||||||||||||||||||||||||
| C |
0e2ad3af-6d2f-470f-a91b-fdd9d2746cc2
Also linked to
Vamos a bailar by Gipsy Kings, Vamos a bailar (live) by Gipsy Kings
|
8 | 5:03–5:09 | ||||||||||||||||||||||||||||
|
Recordings linked to C
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| D |
6aa9f4a2-8322-4f86-b599-bf45cf42a773
Also linked to
Vamos a bailar by Gipsy Kings
|
2 | 4:55–4:56 | ||||||||||||||||||||||||||||
|
Recordings linked to D
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| E |
405feca8-8049-46ff-a938-1ebc7506114e
Also linked to
Vamos a bailar by Gipsy Kings
|
7 | 5:09–5:12 | ||||||||||||||||||||||||||||
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Recordings linked to E
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| F | 04a5dc3b-4344-4418-b895-9e7d206ce8f7 | 1 | 5:26 | ||||||||||||||||||||||||||||
| G |
53c202c5-e709-412f-a1f4-b0a764f1db29
Also linked to
Vamos a bailar by Gipsy Kings
|
1 | 5:15 | ||||||||||||||||||||||||||||
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Recordings linked to G
|
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| H | 8ba7b67b-7efd-4388-9754-989c3457f3e2 | 2 | 4:58–4:59 | ||||||||||||||||||||||||||||
| I |
76f73aeb-611f-43f8-8c68-f3287b9b70b6
Also linked to
Vamos a bailar (remix) by Gipsy Kings, Vamos a bailar by Gipsy Kings
|
2 | 5:05–5:07 | ||||||||||||||||||||||||||||
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Recordings linked to I
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.84 | 0.45 | 0.47 | 0.47 | 0.93 | 0.93 | 0.00 | 0.91 |
| B | 0.84 | — | 0.45 | 0.47 | 0.45 | 0.89 | 0.90 | 0.00 | 0.93 |
| C | 0.45 | 0.45 | — | 0.86 | 0.84 | 0.39 | 0.45 | 0.00 | 0.45 |
| D | 0.47 | 0.47 | 0.86 | — | 0.77 | 0.48 | 0.48 | 0.00 | 0.45 |
| E | 0.47 | 0.45 | 0.84 | 0.77 | — | 0.47 | 0.00 | 0.00 | 0.45 |
| F | 0.93 | 0.89 | 0.39 | 0.48 | 0.47 | — | 0.97 | 0.00 | 0.85 |
| G | 0.93 | 0.90 | 0.45 | 0.48 | 0.00 | 0.97 | — | 0.00 | 0.84 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| I | 0.91 | 0.93 | 0.45 | 0.45 | 0.45 | 0.85 | 0.84 | 0.00 | — |