open source audio identification
MusicBrainz recording
Oh L’Amour
Dollar
3:01
b14fcb55-d1d1-4713-997d-7f7637d1c417
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
302
linking them to it
Fingerprints
30
distinct audio files
Duration
2:51–3:05
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
1a5c0548-f5fe-43a9-9e60-c3397667c1cc
Also linked to
Oh L’Amour by Dollar, O L'Amour by Dollar and
|
13 | 2:59–3:05 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B | 9adb8914-14a7-4341-b0e9-c91a104f5266 | 4 | 2:55–2:59 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
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| C |
7c3981c7-abec-4667-8d23-06d08c3b1e26
Also linked to
Oh l’amour (re-recording) by Dollar, Oh L’Amour by Dollar and
|
3 | 2:59–3:03 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
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| D |
74a6044f-35fc-4a59-871f-1b2285cc3c93
Also linked to
O L’Amour by Dollar
|
4 | 2:57–3:01 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E | 90ab1ba7-5530-426f-96a1-f8f61a9c951f | 1 | 2:51 | ||||||||||||||||||||||||||||||||||||||
| F |
1688e917-9668-4a56-8598-c07f6b0be0ca
Also linked to
Dracula’s Tango (re-recording) by Toto Coelo
|
2 | 3:00–3:01 | ||||||||||||||||||||||||||||||||||||||
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Recordings linked to F
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| G | 7e4d0a22-8fec-4d68-a407-1945ace18a03 | 1 | 3:01 | ||||||||||||||||||||||||||||||||||||||
| H | 2c89eee5-498b-4ccb-b4f3-bc4932bcacaa | 1 | 3:02 | ||||||||||||||||||||||||||||||||||||||
| I | e2be5f48-b554-4b12-9e5a-d09314cc0d78 | 1 | 2:59 | ||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.59 | 0.52 | 0.00 | 0.00 | 0.57 | 0.00 |
| B | 0.00 | — | 0.96 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.57 |
| C | 0.00 | 0.96 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.56 |
| D | 0.59 | 0.00 | 0.00 | — | 0.67 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.52 | 0.00 | 0.00 | 0.67 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| H | 0.57 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| I | 0.00 | 0.57 | 0.56 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |