open source audio identification
MusicBrainz recording
After You’ve Gone
Louis Armstrong & His Orchestra
3:23
studio, 1929-11-26; matrix W 403454-B, vocal
b007cba9-d6f4-40ec-84ca-c586f646f74d
View on MusicBrainz →
AcoustIDs
8
linked to this recording
Submissions
120
linking them to it
Fingerprints
36
distinct audio files
Duration
3:16–3:27
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
28ca0a16-6ee0-4edf-b10f-886e324dc4de
Also linked to
After You’ve Gone by Louis Armstrong, After You've Gone by Louis Armstrong and
|
4 | 3:16–3:17 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
5c0cbe1c-4621-4d91-ae29-0373b027b92a
Also linked to
After You've Gone by Louis Armstrong & His Orchestra, After You’ve Gone by Louis Armstrong and
|
22 | 3:20–3:27 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| C | 1e0e3fe9-6493-4c03-8c9d-8c169d9d5bcd | 1 | 3:20 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| D | 6c498454-9d40-4874-bab5-ad12540201b1 | 1 | 3:23 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| E |
b754265d-9ca8-41b9-8070-8aaabb981861
Also linked to
After You’ve Gone (non-vocal take B) by Louis Armstrong, After You've Gone by Louis Armstrong & His Orchestra
|
3 | 3:17–3:20 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F | c1cd7b5c-91b6-44d3-a6a2-1adc2ecf83b7 | 3 | 3:21–3:25 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| G | f68a0f12-4f28-427f-83cc-e25f3d8e4987 | 1 | 3:25 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| H | 336caf37-4a3b-46f0-9af6-a163b105bcfe | 1 | 3:17 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | |
|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |