open source audio identification
MusicBrainz recording
Enth E nd
Linkin Park reinterpreted by Kutmasta Kurt feat. Motion Man
4:00
af9b3327-58ee-4151-8a9e-8e18030175e6
View on MusicBrainz →
AcoustIDs
12
linked to this recording
Submissions
3,094
linking them to it
Fingerprints
28
distinct audio files
Duration
3:50–4:10
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
30724d7f-99d0-4164-869d-7e4a02ec76ef
Also linked to
Enth E nd by Linkin Park reinterpreted by Kutmasta Kurt feat. Motion Man, In the End (Hip Hop remix version) by Linkin Park and
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13 | 3:59–4:04 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to A
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| B |
e7bfc987-dc93-4635-a091-3aecfad65df9
Also linked to
Enth E nd by Linkin Park reinterpreted by Kutmasta Kurt feat. Motion Man
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3 | 4:00–4:01 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to B
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| C |
cd066143-38f3-4463-82b9-914ccf609911
Also linked to
Enth E Nd (instrumental) by Linkin Park reinterpreted by Kutmasta Kurt
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2 | 4:07–4:08 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
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| D | aaec5804-0ad9-423e-a196-38efe8d8a3a3 | 1 | 4:00 | ||||||||||||||||||||||||||||||||||||||||||||||||
| E | 9495ac3a-2d90-484c-a712-e0bb86e9f29d | 1 | 4:00 | ||||||||||||||||||||||||||||||||||||||||||||||||
| F | ddb414b5-810c-422f-83a3-cf425ef148bc | 1 | 3:59 | ||||||||||||||||||||||||||||||||||||||||||||||||
| G | 894f62fe-3739-4566-bf15-bbe8fb347368 | 2 | 3:50–3:53 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to G
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| H | 17b6780c-9faa-4266-8cb9-24c347344185 | 1 | 4:00 | ||||||||||||||||||||||||||||||||||||||||||||||||
| I | f49f0289-be60-4bf2-8cc6-5dd7b8dc5167 | 1 | 4:00 | ||||||||||||||||||||||||||||||||||||||||||||||||
| J | d287f392-3855-426a-94ad-e6c2d0ac0e61 | 1 | 4:00 | ||||||||||||||||||||||||||||||||||||||||||||||||
| K | 33d8961e-5a45-4462-8210-754d63b58223 | 1 | 3:59 | ||||||||||||||||||||||||||||||||||||||||||||||||
| L | 6efda7cf-60b8-45b6-8862-d3ded138ab3c | 1 | 4:10 | ||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | L | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.66 | 0.91 | 0.00 | 0.00 | 0.00 | 0.00 | 0.56 | 0.00 | 0.00 | 0.00 | 0.61 |
| B | 0.66 | — | 0.68 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.93 |
| C | 0.91 | 0.68 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.67 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| H | 0.56 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| K | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| L | 0.61 | 0.93 | 0.67 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |