open source audio identification
MusicBrainz recording
Don’t Ask Me Why
Billy Joel
2:59
af7ca798-221f-4f62-ac89-a1d7ef8da665
View on MusicBrainz →
AcoustIDs
10
linked to this recording
Submissions
6,473
linking them to it
Fingerprints
95
distinct audio files
Duration
2:49–5:10
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
66a3ae71-362f-4e06-8206-a474d7c51dd8
Also linked to
It’s Still Rock and Roll to Me by Billy Joel, Don’t Ask Me Why by Billy Joel and
|
31 | 2:53–3:00 | ||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
669e78d4-2bbc-459a-b70a-ff91f951e776
Also linked to
She’s Always a Woman by Billy Joel, Ask Me Why by Van Rich and
|
9 | 2:57–3:02 | ||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C | f349c83a-c7fd-491e-93a5-e23877305d42 | 7 | 2:57–3:01 | ||||||||||||||||||||||||||||
| D |
2a11a308-437f-4595-ba0d-e8ce72183e92
Also linked to
Miami 2017 (Seen the Lights Go Out on Broadway) by Billy Joel
|
10 | 5:03–5:10 | ||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E | f326be06-4f88-44e8-8be4-ac22ebb2dea2 | 2 | 2:59 | ||||||||||||||||||||||||||||
| F | a0a6f3a3-7a2a-4bf8-9e9f-aa807ad8a0f6 | 1 | 2:59 | ||||||||||||||||||||||||||||
| G |
1cc0c7b0-f2cc-40da-b158-ebf405a70ddd
Also linked to
Guys Like Me by Gary Allan
|
4 | 2:57–2:59 | ||||||||||||||||||||||||||||
|
Recordings linked to G
|
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| H | fb729376-f9d1-4912-ae95-2422d1968738 | 2 | 3:08–3:12 | ||||||||||||||||||||||||||||
| I | c775b289-3976-46b1-9646-dffbe3f4c923 | 1 | 2:49 | ||||||||||||||||||||||||||||
| J |
8bdf5150-3c6d-45fd-9449-5a3bd22bbaa4
Also linked to
Sometimes a Fantasy by Billy Joel, Sometimes a Fantasy by Billy Joel
|
28 | 3:39–3:46 | ||||||||||||||||||||||||||||
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Recordings linked to J
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | |
|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.89 | 0.46 | 0.00 | 0.00 | 0.60 | 0.00 | 0.83 | 0.00 | 0.00 |
| B | 0.89 | — | 0.52 | 0.00 | 0.00 | 0.59 | 0.00 | 0.83 | 0.00 | 0.00 |
| C | 0.46 | 0.52 | — | 0.00 | 0.00 | 0.51 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.60 | 0.59 | 0.51 | 0.00 | 0.00 | — | 0.00 | 0.54 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| H | 0.83 | 0.83 | 0.00 | 0.00 | 0.00 | 0.54 | 0.00 | — | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |