MusicBrainz recording
Unity
Desmond Dekker and the Aces
2:23
af6c0fe2-d371-4b6d-94d3-becbaa6b043b
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
197
linking them to it
Fingerprints
36
distinct audio files
Duration
0:19–8:38
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
8cd1c36c-ca4f-4079-958c-1ce3ffa5b719
Also linked to
Unity (alternative take) by Desmond Dekker, Unity by Desmond Dekker & the Aces and
|
20 | 2:20–2:24 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B | b16f3c2e-a1ef-4632-a3cb-e37eb7d9cd04 | 7 | 2:13–2:17 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C | 76e28af9-169c-48bd-85cf-28b9d9d0f01f | 1 | 2:20 | ||||||||||||||||||||||||||||||||||||||||||||||||
| D |
17d0c547-704e-4719-adc0-dd61c8ebfb7c
Also linked to
Shing a Ling by Desmond Dekker and the Aces, Shing-A-Ling by Desmond Dekker and
|
3 | 2:25 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
|
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| E | 53bb444d-d982-4281-82ac-b6120b0f50c2 | 1 | 2:24 | ||||||||||||||||||||||||||||||||||||||||||||||||
| F |
6fd5ffcd-39c4-44cb-89bb-0328be3f42f4
Also linked to
Unity (alternative take) by Desmond Dekker
|
1 | 2:28 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to F
|
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| G | 8821d292-31e0-4695-a605-08a2b93da066 | 1 | 0:19 | ||||||||||||||||||||||||||||||||||||||||||||||||
| H |
4a1f544c-2bea-4b2c-bff0-085d7e2bbcdb
Also linked to
Daisy Bell by Gerald Adams
|
1 | 2:46 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to H
|
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| I | 23a04f4b-abf1-4c80-9e43-ba67be69235c | 1 | 8:38 | ||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.00 | 0.59 | 0.00 | 0.00 | 0.00 | 0.89 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.59 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.59 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| I | 0.89 | 0.00 | 0.00 | 0.00 | 0.59 | 0.00 | 0.00 | 0.00 | — |