open source audio identification
MusicBrainz recording
V‐2 Schneider
David Bowie
3:10
af60d62c-ffca-45ce-a541-8344a385e083
View on MusicBrainz →
AcoustIDs
8
linked to this recording
Submissions
34
linking them to it
Fingerprints
62
distinct audio files
Duration
2:59–6:10
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
1c0a9851-fb49-4c33-9463-a96caaf3400e
Also linked to
V‐2 Schneider by David Bowie, V‐2 Schneider by David Bowie and
|
17 | 3:08–3:14 | ||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
055ce4c8-e409-4440-b954-e8f9922c62a5
Also linked to
V‐2 Schneider by David Bowie, V‐2 Schneider by David Bowie and
|
4 | 3:08–3:12 | ||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
f88f3087-0a24-4399-b8b4-1b8f0d23963e
Also linked to
“Heroes” by David Bowie, “Heroes” / “Héros” by David Bowie and
|
1 | 6:10 | ||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
183f43fe-0ac5-4f17-8cf7-f9e52d033a6f
Also linked to
Joe the Lion (remixed version, 1991) by David Bowie, Love You Till Tuesday by David Bowie and
|
4 | 3:07–3:09 | ||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E |
33eb77bd-e956-4337-960a-541ae6166b6d
Also linked to
Joe the Lion by David Bowie, Joe the Lion by David Bowie and
|
18 | 3:05–3:09 | ||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F |
aa9e60eb-be43-48ee-aa1e-e7c12e8e1c7f
Also linked to
V‐2 Schneider by David Bowie
|
6 | 3:11–3:12 | ||||||||||||||||||||||||||||
|
Recordings linked to F
|
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| G |
9ab7ea86-00e4-4b4e-a85a-3a5d641c2613
Also linked to
We Are Hungry Men by David Bowie, Uncle Arthur by David Bowie and
|
11 | 2:59–3:00 | ||||||||||||||||||||||||||||
|
Recordings linked to G
|
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| H | aeecc0e3-92f6-4fa3-b1c2-832805281fd1 | 1 | 3:03 | ||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | |
|---|---|---|---|---|---|---|---|---|
| A | — | 0.71 | 0.00 | 0.00 | 0.00 | 0.56 | 0.00 | 0.73 |
| B | 0.71 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.51 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.45 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.45 | — | 0.00 | 0.00 | 0.00 |
| F | 0.56 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| H | 0.73 | 0.51 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |