open source audio identification
MusicBrainz recording
River Deep, Mountain High (re-recording)
Ike & Tina Turner
3:58
af5ee329-cd22-4f48-825e-4c8c3564e209
View on MusicBrainz →
AcoustIDs
5
linked to this recording
Submissions
98
linking them to it
Fingerprints
45
distinct audio files
Duration
3:52–4:05
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
649717a9-cc5f-4ae7-9136-3ad23419d7bd
Also linked to
River Deep, Mountain High by Ike & Tina Turner, River Deep, Mountain High by Ike & Tina Turner and
|
17 | 3:54–4:02 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
95bc38cf-a518-47e7-b527-1b4ab42466ce
Also linked to
River Deep – Mountain High by Ike & Tina Turner, River Deep, Mountain High by Ike & Tina Turner and
|
6 | 3:55–4:00 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
9cc5498f-9108-49a6-848f-4f524c841d19
Also linked to
River Deep, Mountain High by Ike & Tina Turner, River Deep, Mountain High by Ike & Tina Turner and
|
19 | 3:59–4:05 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
|
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| D | 185ee965-a995-4591-854c-2bbd95ce02a4 | 1 | 3:57 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| E |
c80d8fff-f8be-4449-a99e-de324c326c54
Also linked to
River Deep - Mountain High by Ike & Tina Turner, River Deep, Mountain High by Ike & Tina Turner and
|
2 | 3:52–3:54 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.