open source audio identification
MusicBrainz recording
Fattening Frogs for Snakes
Sonny Boy Williamson
2:22
af55abd0-9942-404d-978f-2e2f821b207c
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
303
linking them to it
Fingerprints
50
distinct audio files
Duration
2:17–3:53
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
cbf92f56-95a3-406f-b6e6-52af97f7dd4a
Also linked to
Fattening Frogs for Snakes by Sonny Boy Williamson, Shake for Me by Howlin’ Wolf and
|
9 | 2:17–2:23 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
931ea848-d1c6-48c8-9704-256d5747ec0b
Also linked to
Fattening Frogs for Snakes by Sonny Boy Williamson, Fattening Frogs for Snakes by Sonny Boy Williamson and
|
21 | 2:20–2:27 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C | dd0047cd-d876-48a1-8570-948baef1e0c1 | 2 | 2:21–2:26 | ||||||||||||||||||||||||||||||||||||||
| D |
1f9a7dbc-21f8-4e50-be3c-5c4bdc5af5b8
Also linked to
Fattening Frogs for Snakes by Sonny Boy Williamson
|
11 | 2:21–2:26 | ||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
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| E |
98e2b312-9540-44c4-bcc5-28c3bcf64927
Also linked to
Fattening Frogs for Snakes by Sonny Boy Williamson
|
2 | 2:21–2:22 | ||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
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| F | 5d9cd325-86dd-4e6c-9cb7-16a423f6c587 | 1 | 3:53 | ||||||||||||||||||||||||||||||||||||||
| G | 0b60339b-9c66-4c58-bf29-288e464dda1c | 1 | 2:21 | ||||||||||||||||||||||||||||||||||||||
| H | 72b4646a-fce5-4f33-8b1b-5e9609d88849 | 1 | 2:34 | ||||||||||||||||||||||||||||||||||||||
| I | a66389a1-89c0-4b1a-9681-f320136c4867 | 2 | 2:22–2:23 | ||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.64 | 0.78 | 0.32 | 0.44 | 0.00 | 0.00 | 0.42 | 0.00 |
| B | 0.64 | — | 0.61 | 0.45 | 0.00 | 0.00 | 0.00 | 0.45 | 0.39 |
| C | 0.78 | 0.61 | — | 0.44 | 0.47 | 0.00 | 0.00 | 0.44 | 0.00 |
| D | 0.32 | 0.45 | 0.44 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.51 |
| E | 0.44 | 0.00 | 0.47 | 0.00 | — | 0.00 | 0.00 | 0.82 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| H | 0.42 | 0.45 | 0.44 | 0.00 | 0.82 | 0.00 | 0.00 | — | 0.00 |
| I | 0.00 | 0.39 | 0.00 | 0.51 | 0.00 | 0.00 | 0.00 | 0.00 | — |