open source audio identification
MusicBrainz recording
These Foolish Things
Ella Fitzgerald
7:40
ae063822-100a-4ef4-bb3a-4c946fcaa2df
View on MusicBrainz →
AcoustIDs
6
linked to this recording
Submissions
405
linking them to it
Fingerprints
25
distinct audio files
Duration
3:45–7:43
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
902ff53b-b854-4f94-9674-7f57f452a7c5
Also linked to
These Foolish Things by Ella Fitzgerald, These Foolish Things (Remind Me of You) by Ella Fitzgerald & Louis Armstrong and
|
11 | 7:36–7:42 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
b6c607c5-20b4-4a3c-ba69-d779d5489d5b
Also linked to
These Foolish Things by Ella & Louis, These Foolish Things (Remind Me of You) by Ella and Louis and
|
3 | 7:38–7:42 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to B
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| C |
ce1a50bc-9d5f-4c4a-a5a6-93b3d474f40f
Also linked to
These Foolish Things by Louis Armstrong & Ella Fitzgerald
|
1 | 7:43 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
|
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| D | f8c0cdf5-3fe6-4b44-8d27-4e1ead65fd70 | 1 | 7:37 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| E |
7885339a-6e9f-423e-97c1-760dae5e27fb
Also linked to
These Foolish Things by Ella Fitzgerald, These Foolish Things by Ella Fitzgerald and
|
8 | 3:45–3:51 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
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| F | 485a5b74-224c-44ea-a291-18490f524b3e | 1 | 7:36 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.