open source audio identification
MusicBrainz recording
I’ll Never Get Over You
Johnny Kidd & the Pirates
2:08
adf1ccbd-767e-4329-a879-47c66fabbbfe
View on MusicBrainz →
AcoustIDs
2
linked to this recording
Submissions
5
linking them to it
Fingerprints
24
distinct audio files
Duration
2:05–2:15
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
de8e357b-e750-449b-8dee-18b9ca773b81
Also linked to
I’ll Never Get Over You by Johnny Kidd and the Pirates, I’ll Never Get Over You by Johnny Kidd and the Pirates and
|
22 | 2:05–2:11 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| B |
4882d70e-cd54-4037-af0c-80c40c884ba3
Also linked to
I’ll Never Get Over You by Johnny Kidd and the Pirates, I’ll Never Get Over You by Johnny Kidd and the Pirates and
|
2 | 2:13–2:15 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.