MusicBrainz recording
Treat Her Like a Lady
The Temptations
4:09
ab691a97-2841-40aa-86c2-c97d3ba9e9be
View on MusicBrainz →
AcoustIDs
5
linked to this recording
Submissions
110
linking them to it
Fingerprints
80
distinct audio files
Duration
3:57–4:22
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
2751f84a-8222-450f-87cc-df609f6a806d
Also linked to
Treat Her Like a Lady by The Temptations, Treat Her Like a Lady by The Temptations and
|
13 | 4:04–4:11 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
||||||||||||||||||||||||||||||||||||||||||||||
| B |
fe8bb8bc-395f-48a3-b510-f5240cc2603e
Also linked to
Treat Her Like a Lady by The Temptations, Treat Her Like a Lady by The Temptations and
|
29 | 3:57–4:03 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
||||||||||||||||||||||||||||||||||||||||||||||
| C |
f73a0c79-3757-413b-badc-81d114ea156f
Also linked to
Treat Her Like a Lady by The Temptations, Treat Her Like a Lady by The Temptations and
|
20 | 4:13–4:19 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
||||||||||||||||||||||||||||||||||||||||||||||
| D |
e45c1f3b-16ab-4b91-adce-2eace437c569
Also linked to
Treat Her Like a Lady by The Temptations, Treat Her Like a Lady by The Temptations and
|
4 | 4:15–4:22 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
||||||||||||||||||||||||||||||||||||||||||||||
| E |
eb9d70f5-08cd-41ea-873b-1139b730e8f6
Also linked to
Bang a Gong (Get It on) by Mickey Finn, Just to See Her by Smokey Robinson
|
14 | 4:07–4:12 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.