MusicBrainz recording
Angela Theme (Theme From "Taxi")
Bob James
5:43
ab63acf1-44f7-46a1-a26b-6a3d030d8179
View on MusicBrainz →
AcoustIDs
8
linked to this recording
Submissions
372
linking them to it
Fingerprints
43
distinct audio files
Duration
1:27–5:47
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
2a07fe69-66b2-4faa-b13a-5994573d72bd
Also linked to
Angela (Theme From Taxi) by Bob James, Angela (theme from ‘Taxi’) by Bob James and
|
11 | 5:42–5:46 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
acc6f5ec-e33d-4f8b-b62d-84ed5d244135
Also linked to
Taxi: Angela by Bob James, Angela by Bob James and
|
12 | 5:37–5:44 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
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| C |
49f8c698-3beb-45f3-b01f-5f982560f400
Also linked to
When I Give My Love to You by Michael Franks feat. Brenda Russell, When I Give My Love to You by Brenda Russell & Michael Franks and
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9 | 4:20–4:27 | ||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
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| D | 4276f9ef-434e-4caa-b36d-ca468b16c664 | 3 | 5:43–5:46 | ||||||||||||||||||||||||||||||||||||||
| E |
f77fb2f2-5168-4c75-9181-1455e32b52d6
Also linked to
Dawn by Nite Flyte
|
3 | 5:45–5:47 | ||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
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| F |
745588ba-f127-4559-9509-ee1dffdfac4d
Also linked to
Angela (Theme From Taxi) by Bob James
|
1 | 5:41 | ||||||||||||||||||||||||||||||||||||||
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Recordings linked to F
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| G |
dba72583-5c04-4702-81a2-230cecb9c025
Also linked to
Angela (theme from Taxi) by Bob James, Angela (Theme From 'Taxi') by Bob James
|
3 | 1:27–1:28 | ||||||||||||||||||||||||||||||||||||||
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Recordings linked to G
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| H | 8ba86b01-a430-424d-8896-e1609992828c | 1 | 5:40 | ||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | |
|---|---|---|---|---|---|---|---|---|
| A | — | 0.85 | 0.00 | 0.77 | 0.00 | 0.00 | 0.41 | 0.42 |
| B | 0.85 | — | 0.00 | 0.70 | 0.00 | 0.00 | 0.42 | 0.40 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.77 | 0.70 | 0.00 | — | 0.00 | 0.00 | 0.73 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| G | 0.41 | 0.42 | 0.00 | 0.73 | 0.00 | 0.00 | — | 0.34 |
| H | 0.42 | 0.40 | 0.00 | 0.00 | 0.00 | 0.00 | 0.34 | — |