open source audio identification
MusicBrainz recording
Pink Cadillac
Natalie Cole
4:28
ab2a1126-75b4-401e-8a89-226bed081b43
View on MusicBrainz →
AcoustIDs
8
linked to this recording
Submissions
306
linking them to it
Fingerprints
42
distinct audio files
Duration
4:08–4:43
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
68b73431-6e3c-4a6b-bb96-21fadebb932d
Also linked to
Pink Cadillac by Natalie Cole, Pink Cadillac by Natalie Cole and
|
14 | 4:25–4:32 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
793a244f-fa5e-467e-b858-03ce7edc6a9c
Also linked to
Pink Cadillac (Turbo Mix) by Natalie Cole
|
1 | 4:33 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
6ebda618-013b-4a6e-a146-0bf7bde5eb0c
Also linked to
Pink Cadillac by Natalie Cole, Pink Cadillac (7″ version) by Natalie Cole and
|
9 | 4:12–4:19 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
a456b19e-0fa4-48c3-946e-c0cee293a52f
Also linked to
Pink Cadillac by Natalie Cole, Pink Cadillac by Natalie Cole and
|
12 | 4:08–4:15 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E |
11e87d6d-c461-4808-b9fa-33d33d00d3ab
Also linked to
Pink Cadillac by Natalie Cole, Pink Cadillac by Natalie Cole and
|
3 | 4:19–4:23 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F | de22023a-2790-4b7b-94e5-71f7065ae56b | 1 | 4:43 | ||||||||||||||||||||||||||||||||||||||||||||||||
| G | 77d1fcc3-c70d-4aef-ac6f-3c92aa2e309c | 1 | 4:35 | ||||||||||||||||||||||||||||||||||||||||||||||||
| H | e7e6ec98-08ab-4d38-819f-ad257e5bad2f | 1 | 4:33 | ||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | |
|---|---|---|---|---|---|---|---|---|
| A | — | 0.87 | 0.00 | 0.00 | 0.76 | 0.82 | 0.00 | 0.00 |
| B | 0.87 | — | 0.00 | 0.00 | 0.77 | 0.81 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.71 | 0.00 | 0.00 | 0.84 | 0.00 |
| D | 0.00 | 0.00 | 0.71 | — | 0.00 | 0.00 | 0.83 | 0.00 |
| E | 0.76 | 0.77 | 0.00 | 0.00 | — | 0.79 | 0.00 | 0.00 |
| F | 0.82 | 0.81 | 0.00 | 0.00 | 0.79 | — | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.84 | 0.83 | 0.00 | 0.00 | — | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |