open source audio identification
MusicBrainz recording
Scentless Apprentice
Nirvana
3:49
2013 mix
ab0a3fd5-5a89-4ae8-93c1-8a00735e5554
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
422
linking them to it
Fingerprints
31
distinct audio files
Duration
3:46–3:54
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
b50e3c39-a778-4653-918a-e17a83ab38c0
Also linked to
Scentless Apprentice by Nirvana, Scentless Apprentice by Nirvana and
|
7 | 3:48–3:49 | |||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
8ecf92b6-372a-4ff7-88c2-7f968b748f4f
Also linked to
Scentless Apprentice by Nirvana, Scentless Apprentice by Nirvana
|
11 | 3:48–3:49 | |||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
f2f37bff-ab23-4c3f-a110-8610480230c9
Also linked to
Scentless Apprentice by Nirvana, Scentless Apprentice by Nirvana
|
3 | 3:52–3:53 | |||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
b764e4e0-e3d8-4b97-9258-bd94f795f620
Also linked to
Scentless Apprentice by Nirvana, Scentless Apprentice by Nirvana and
|
4 | 3:53–3:54 | |||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E |
03649e1c-b98f-4a3a-af2f-768724f70618
Also linked to
Scentless Apprentice by Nirvana
|
2 | 3:47 | |||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F |
a2b3b971-7131-4a75-bf04-6bef876a584f
Also linked to
Scentless Apprentice by Nirvana
|
1 | 3:46 | |||||||||||||||||||||||||||||||||
|
Recordings linked to F
|
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| G | c2e2b26b-8567-44ac-bef7-48193f1835f9 | 1 | 3:48 | |||||||||||||||||||||||||||||||||
| H | 26f0f42c-63e2-497e-b6ba-47ff99c50253 | 1 | 3:49 | |||||||||||||||||||||||||||||||||
| I | d04bcff3-9553-47cd-aa5a-f6d3a304aa84 | 1 | 3:48 | |||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.21 | 0.31 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.21 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.31 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |